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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), better known as Canaletto, was an Italian painter of city views or vedute, of Venice and Rome. He also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many sights of London. He was highly successful in England, thanks to the British merchant and connoisseur Joseph Smith, whose large collection of Canalettos works was sold to King George III in 1762.
He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri. Canaletto served his apprenticeship with his father and his brother. He began in his fathers occupation, that of a theatrical scene painter. Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people.Return of the Bucintoro to the Molo on Ascension Day, painted 1729–32
After returning from Rome in 1719, he began painting in his topographical style. His first known signed and dated work is Architectural Capriccio (1723, Milan, in a private collection). Studying with the older Luca Carlevarijs, a moderately-talented painter of urban cityscapes, he rapidly became his masters equal.
He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri. Canaletto served his apprenticeship with his father and his brother. He began in his fathers occupation, that of a theatrical scene painter. Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people.Return of the Bucintoro to the Molo on Ascension Day, painted 1729–32
After returning from Rome in 1719, he began painting in his topographical style. His first known signed and dated work is Architectural Capriccio (1723, Milan, in a private collection). Studying with the older Luca Carlevarijs, a moderately-talented painter of urban cityscapes, he rapidly became his masters equal.
