A.P.Polo - ALG II

LIMITED EDITION of 50

A P POLO

# 235416

A.P.POLO - ALG II

Name: A.P.Polo - ALG II by A P Polo Wall Art
Brand: Pictorem
SKU: 235416
Availability: InStock

Available in :

LIMITED EDITION of 50

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A.P.Polo - "ALG II" - Hamburg (Germany) "Arbeitslosengeld II (ALG II)" (Unemployment benefit II in English) was the term used in Germany from 1 Janua...[+]

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STRETCHED CANVAS
ACRYLIC
HD METAL
FRAMED PRINT

Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

3/16" thickness

1/8" Thickness:

20 x 15 inches

51 x 38 cm

1/8 - Back Frame Mount

^$220

24 x 18 inches

62 x 46 cm

1/8 - Back Frame Mount

^$281

30 x 23 inches

77 x 59 cm

1/8 - Back Frame Mount

^$400

36 x 27 inches

92 x 69 cm

1/8 - Back Frame Mount

^$529

42 x 32 inches

108 x 82 cm

1/8 - Back Frame Mount

^$700

48 x 36 inches

123 x 92 cm

1/8 - Back Frame Mount

^$877

55 x 41 inches

141 x 105 cm

1/8 - Back Frame Mount

^$1345

60 x 45 inches

154 x 115 cm

1/8 - Back Frame Mount

^$1550

3/16" Thickness:

20 x 15 inches

51 x 38 cm

3/16 - Back Frame Mount

^$303

24 x 18 inches

62 x 46 cm

3/16 - Back Frame Mount

^$380

30 x 23 inches

77 x 59 cm

3/16 - Back Frame Mount

^$530

36 x 27 inches

92 x 69 cm

3/16 - Back Frame Mount

^$694

42 x 32 inches

108 x 82 cm

3/16 - Back Frame Mount

^$911

48 x 36 inches

123 x 92 cm

3/16 - Back Frame Mount

^$1135

55 x 41 inches

141 x 105 cm

3/16 - Back Frame Mount

^$1668

60 x 45 inches

154 x 115 cm

3/16 - Back Frame Mount

^$1927

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

20 x 15 inches

51 x 38 cm

1/8 with 4 metal stand off

^$220

24 x 18 inches

62 x 46 cm

1/8 with 4 metal stand off

^$281

30 x 23 inches

77 x 59 cm

1/8 with 4 metal stand off

^$400

36 x 27 inches

92 x 69 cm

1/8 with 4 metal stand off

^$529

42 x 32 inches

108 x 82 cm

1/8 with 4 metal stand off

^$700

48 x 36 inches

123 x 92 cm

1/8 with 6 metal stand off

^$877

55 x 41 inches

141 x 105 cm

1/8 with 6 metal stand off

^$1345

60 x 45 inches

154 x 115 cm

1/8 with 6 metal stand off

^$1550

3/16" Thickness:

20 x 15 inches

51 x 38 cm

3/16 with 4 metal stand off

^$303

24 x 18 inches

62 x 46 cm

3/16 with 4 metal stand off

^$380

30 x 23 inches

77 x 59 cm

3/16 with 4 metal stand off

^$530

36 x 27 inches

92 x 69 cm

3/16 with 4 metal stand off

^$694

42 x 32 inches

108 x 82 cm

3/16 with 4 metal stand off

^$911

48 x 36 inches

123 x 92 cm

3/16 with 4 metal stand off

^$1135

55 x 41 inches

141 x 105 cm

3/16 with 6 metal stand off

^$1668

60 x 45 inches

154 x 115 cm

3/16 with 6 metal stand off

^$1927

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - ALG II HD Metal print with Floating Frame on Back

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A.P.Polo - ALG II HD Sublimation Metal print

A.P.Polo - ALG II HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Roll Print

We ship worldwide

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Framed Print

Get this artwork "A.P.Polo - ALG II" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

A.P.Polo - ALG II Picture Frame Printing

Frame model shown: 832-745

MORE CUSTOM FRAMES

Standard size framed print

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28 x 20"

^$212

28 x 20" Framed Print

Printed Area: 24 x 16"
Total Inside area: 28.00 x 20.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 21.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

34 x 24"

^$283

34 x 24" Framed Print

Printed Area: 30 x 20"
Total Inside area: 34.00 x 24.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 35.25 x 25.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

40 x 28"

^$355

40 x 28" Framed Print

Printed Area: 36 x 24"
Total Inside area: 40.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.63" on each side
Total Physical dimension: 41.63 x 29.63"

Frame model: 800-967
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

SEE ALL STANDARD FRAME OPTIONS

Sublimation High-Gloss Jigsaw Puzzle Print

A.P.Polo - ALG II A P Polo Puzzle printing

Precisely produced by HD Sublimation Process & Protected by a high-gloss varnish.
Unlike traditional printing — This artwork is produced with by sublimation print. We utilize heat and pressure to transfer images directly into the surface of the Puzzle, bonding your image to the substrate at the molecular level.

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30 days satisfaction guaranteed
Free shipping in USA and Canada

120 pcs 11 x 8 inches Puzzle High Gloss

28 x 20 cm

^$49

315 pcs 17 x 12 inches Puzzle High Gloss

42 x 30 cm

^$59

500 pcs 21 x 15 inches Puzzle High Gloss

54 x 40 cm

^$71

1000 pcs 27 x 17.50 inches Puzzle High Gloss

69 x 45 cm

^$83

1500 pcs 36 x 24 inches Puzzle High Gloss

91 x 61 cm

^$110

Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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Digital Download

File resolution: 5440 x 4096 pixels

ABOUT A P POLO fs
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ABOUT THIS ARTWORK: A.P.POLO - ALG II
A.P.Polo - "ALG II" - Hamburg (Germany) "Arbeitslosengeld II (ALG II)" (Unemployment benefit II in English) was the term used in Germany from 1 January 2005 to 31 December 2022 for basic income support for jobseekers in accordance with Book II of the German Social Code (SGB II). Non-employable beneficiaries who lived in a benefit community with employable beneficiaries received social benefit. The benefits include the standard requirement, additional requirements and the requirement for accommodation and heating (Section 19 (1) SGB II) and "should enable those entitled to benefits to lead a life that corresponds to human dignity" (Section 1 (1) SGB II). Social chauvinism: an everyday problem - to crawl to the bigwigs and bully the underlings. Socially chauvinistic attitudes are on the rise in Germany, even in the lower sections of society. They are the sign of a society that is characterised by kicking downwards and hunching upwards. We see examples of this development every day, whether in the underground, on the street or in our own company. Everyone knows them, the newspaper vendors on the underground, they sell newspapers from an unemployment organisation. Most of the time they walk through the train and ask passengers for a small donation or if they are interested in buying a newspaper. Every day they find at least one passenger who insults the newspaper vendors in foul language and tells them that he wants nothing to do with them and is not interested in their problems. For these statements, the abusive person receives recognition from many fellow travellers who follow similar thought patterns. The unemployed newspaper vendor is not given the opportunity to explain his situation, although he has every right to explain himself. The example of the newspaper vendor on the underground is just one of thousands, but it clearly shows how widespread social chauvinism is in our society. Those at the bottom of the capitalist system are insulted by those who are only a small cog in the system. The scold on the underground takes his frustration about the situation at home or at work out on those who don't have to worry about the consequences. They usually don't try to criticise the system, but instead insult those who are still below them in the pecking order, the unemployed who are "just lying around". Social-chauvinist thinking is often combined with everyday racist thought patterns. This can be seen in the widespread attacks against Roma and Sinti. In many Central European countries, they are labelled as "parasites" and thus as the least productive element in society. The term "parasites" and "unproductive" is often used by those who see themselves as part of the middle class and have thus suppressed their own membership of the working class. The categorisation into classes has led to solidarity within the working population becoming increasingly eroded and has led to a demarcation within the classes. For example, the scold on the railway may belong to the middle class, but he himself is part of the working class. As he sees himself as part of the middle class and not as part of the working class, he does not try to differentiate himself from those above him in the hierarchy, but only from those below him! Social-chauvinist thought patterns are characterised by the fact that their supporters usually duck away from attacks from above while they attack those below them. Action can only be taken against such patterns of thought if the working class recognises that it can only strengthen its own position by showing solidarity with those below it in the current order. In the early 20th century, many thought leaders of Social Democracy were convinced that “new social risks” – such as demographic change – would shape the social conflict of the future. Instead of the conflict between capital and labour, the social question would increasingly play out in conflict and problems of equality. Renewed social democracy should abandon its “obsessive fixation on inequality” and instead focus on “equality as inclusion”: equal opportunities on the labour market and education. These were the core elements of the Third-Way Social Democracy that were represented in many European countries. This transformed social democracy bore the traits of a “market social democracy” with a political economy infiltrated by elements of neoliberalism. Competitivity was to be extended to more and more areas of society, especially the labour market. Social justice was no longer understood as redistributive but interpreted as equalisation of market access opportunities. On socio-political issues, a strategy was developed based on the dualisation of the labour market: for the highly qualified and autonomous employees, lifestyle choices were increased, while for the less-skilled, more disciplinary measures were introduced. Social justice was no longer understood as redistributive but interpreted as equalisation of market access opportunities.

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