A.P.Polo - Enneaden

LIMITED EDITION of 50

A P POLO

# 443096

A.P.POLO - ENNEADEN

Name: A.P.Polo - Enneaden by A P Polo Wall Art
Brand: Pictorem
SKU: 443096
Availability: InStock

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A.P.Polo - "Enneaden" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that creates a complex structure in a monochromatic manner thr...[+]

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Keywords:

Fine Art

op art

optical

black and white

grey

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - ENNEADEN A P POLO Canvas Print

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Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

36 x 36 triptych - split canvas
39 x 36 inches including space.
3X [ 12x36 ]
^C$995

36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ] 2X [ 12x30 ]
^C$995

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Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

3/16" thickness

1/8" Thickness:

24 x 24 inches

62 x 62 cm

1/8 - Back Frame Mount

^C$785

30 x 30 inches

77 x 77 cm

1/8 - Back Frame Mount

^C$1122

36 x 36 inches

92 x 92 cm

1/8 - Back Frame Mount

^C$1533

42 x 42 inches

108 x 108 cm

1/8 - Back Frame Mount

^C$2531

48 x 48 inches

123 x 123 cm

1/8 - Back Frame Mount

^C$3092

3/16" Thickness:

24 x 24 inches

62 x 62 cm

3/16 - Back Frame Mount

^C$1048

30 x 30 inches

77 x 77 cm

3/16 - Back Frame Mount

^C$1475

36 x 36 inches

92 x 92 cm

3/16 - Back Frame Mount

^C$1997

42 x 42 inches

108 x 108 cm

3/16 - Back Frame Mount

^C$3124

48 x 48 inches

123 x 123 cm

3/16 - Back Frame Mount

^C$3835

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

24 x 24 inches

62 x 62 cm

1/8 with 4 metal stand off

^C$785

30 x 30 inches

77 x 77 cm

1/8 with 4 metal stand off

^C$1122

36 x 36 inches

92 x 92 cm

1/8 with 4 metal stand off

^C$1533

42 x 42 inches

108 x 108 cm

1/8 with 4 metal stand off

^C$2531

48 x 48 inches

123 x 123 cm

1/8 with 6 metal stand off

^C$3092

3/16" Thickness:

24 x 24 inches

62 x 62 cm

3/16 with 4 metal stand off

^C$1048

30 x 30 inches

77 x 77 cm

3/16 with 4 metal stand off

^C$1475

36 x 36 inches

92 x 92 cm

3/16 with 4 metal stand off

^C$1997

42 x 42 inches

108 x 108 cm

3/16 with 4 metal stand off

^C$3124

48 x 48 inches

123 x 123 cm

3/16 with 4 metal stand off

^C$3835

Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - Enneaden HD Metal print with Floating Frame on Back

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A.P.Polo - Enneaden HD Sublimation Metal print

A.P.Polo - Enneaden HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Multi Panel HD Metal Print

Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Multi Panel Wood Print

Roll Print

We ship worldwide

Giclée Roll Canvas Print

Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]

Premium Acid Free Giclée Poster Paper

Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

Giclée Art Matte Paper Print

Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Framed Print

Get this artwork "A.P.Polo - Enneaden" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

A.P.Polo - Enneaden Picture Frame Printing

Frame model shown: 832-745

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Standard size framed print

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28 x 28"

^C$533

28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

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Wall Clock

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This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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Digital Download

File resolution: 6600 x 6600 pixels

ABOUT A P POLO fs
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ABOUT THIS ARTWORK: A.P.POLO - ENNEADEN
A.P.Polo - "Enneaden" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that creates a complex structure in a monochromatic manner through the skilful use of light and shadow with a multitude of geometric forms whose common element is the right angle and which can be classified as concrete art, making use of reminiscences of Op Art. Plotinus (205-270) was an ancient philosopher. He was the founder and best-known representative of Neoplatonism. In his philosophy, described in the Enneads, there are three principles: the One, the Intellect, and the Soul. He received his education in Alexandria under Ammonios Saccas, from whom he received decisive impulses. From 244, he lived in Rome, where he founded a school of philosophy, which he led until his fatal illness. He taught and wrote in Greek; his writings were intended for the circle of students and were only made known to a wider public after his death. He was held in high esteem in circles of the political ruling class of the Roman Empire. Plotinus did not regard himself as the discoverer and proclaimer of a new truth, but as a faithful interpreter of Plato's teachings, which he was convinced already contained all the essential knowledge. From his point of view, it only needed a correct interpretation of some disputed details and the exposition and justification of certain consequences from its statements. As a representative of idealistic monism, Plotinus traced all phenomena and processes back to a single immaterial basic principle. The goal of his philosophical endeavours was to approach the "One", the basic principle of all reality, up to the experience of union with the One. As a prerequisite for this, he regarded a consistently philosophical way of life, which he considered more important than discursive philosophising. As an author, Plotinus concentrated on the content of his expositions and did not strive for literary stylistic elaboration. He did use stylistic devices, but only to illuminate the philosophical trains of thought, not for the sake of pleasing expression. He was indifferent to spelling. Although his teaching formed a coherent system of thought, he never attempted to give a systematic overall exposition, but only discussed individual topics and problems. When he had clarified a question for himself, he wrote down his thoughts fluently in one go; he never read through what he had written in order to correct and revise it. Because of his weak eyesight, reading was difficult for him. Therefore, he entrusted his student Porphyry with the task of collecting, arranging and publishing his writings. It was not until about three decades after Plotinus' death that Porphyry fulfilled this commission, when he himself was already approaching the end of his life. As editor, Porphyry decided against a chronological order; he preferred a grouping according to content. For this purpose, he divided Plotinus' estate into 54 individual writings and formed six groups of nine writings each. According to this order, Plotinus' collected works are known as the Enneads - "Nines", "Groups of Nines" ("Enneaden" in German). Thanks to Porphyriy' conscientious editing, Plotinus' complete works have been preserved and even a chronological grouping has survived. In his biography of Plotinus, which precedes the collection, Porphyry lists the writings and assigns them to the author's creative periods. After the fall of Western Roman Empire and during the period of the Byzantine Empire, the authorship of some Plotinus' texts became clouded. Many passages of Enneads IV-VI, now known as Plotiniana Arabica, circulated among Islamic scholars (as Al-Kindi, Al-Farabi and Avicenna) under the name The Theology of Aristotle or quoted as "Sayings of an old [wise] man". The writings had a significant effect on Islamic philosophy, due to Islamic interest in Aristotle. A Latin version of the so-called Theology appeared in Europe in 1519. "The work of art must be completely conceived and shaped in the mind before it is executed. It must contain nothing of the formal realities of nature, the senses and the feelings. We want to eliminate lyricism, drama, symbolism and so on. The picture must be constructed exclusively from plastic elements, i.e. from surfaces and colours. A picture element has no other meaning than itself. For we have left the time of searching and speculative experiments behind us. In the search for purity, artists were forced to destroy the natural form. Today the idea of the art form is as obsolete as the idea of the natural form. We foresee the time of pure painting. For nothing is more concrete, more real, than a line, a colour, a surface. Concrete and not abstract painting. For the spirit has reached the state of maturity. It needs clear, intellectual means to manifest itself in a concrete way. Colour is the basic substance of painting; it means only itself. Painting is a means of realising thought in a visual way: Every painting is a colour thought. Before the work is transformed into matter, it exists in a complete way in consciousness. It is also necessary that the realisation has a technical perfection equal to that of the mental design. We work with the quantities of mathematics - Euclidean or non-Euclidean - and science, that is: with the means of thought." "Painting is a means of realising thought in an optical way". Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Around 1903, a major turning point in art began. Painting and sculpture became increasingly distant from visible reality. Henri Matisse said that when you look at a painting, you have to completely forget what it represents. It is art that grants form, colour and pictorial composition far-reaching autonomy from the representational. This movement away from the world of the visible was called abstraction. It is about concentrating on the essential, the necessary. From 1910 onwards, an art emerged that consistently pursued the path of abstraction. Every remnant of representation, pictorial or figurative, was rejected: "Could such an art - which had obviously become completely independent - still be called an extreme form of abstraction, integral or total abstraction? Was there not something fundamentally new, a complete autonomy of pictorial design?" Wassily Kandinsky stated that art now only followed its own, art-immanent laws. It was an art of pure non-objectivity. Quote: "The new art has brought to the fore the principle that art can only have itself as its content. Thus we do not find in it the idea of anything, but only the idea of art itself, of its self-content. Art's very own idea is its non-objectivity." In 1930, Michel Seuphor had defined the role of the abstract artist in the first issue of Cercle et Carré. It was “to establish, on the foundations of a structure that is simple, severe and unadorned in every part, and within a basis of unconcealed narrow unity with this structure, an architecture which, using the technical means available to its period, expresses in a clear language that which is truly immanent and immutable.” The art historian Werner Haftmann traces the development of the pure abstraction proposed by Seuphor to the synthesis of Russian Constructivism and Dutch Neo-Plasticism in the Bauhaus, where painting abandoned the artificiality of representation for technological authenticity. “In close connection with architecture and engineering, art should endeavour to give form to life itself. The former provided new sources of inspiration as well as new materials – steel, aluminium, glass, synthetic materials.” As van Doesburg had pointed out in his manifesto, in order to be universal, art must abandon subjectivity and find impersonal inspiration purely in the elements of which it is constructed: line, plane and color. Some later artists associated with this tendency, such as Victor Vasarély, Jean Dewasne, Mario Negro and Richard Mortensen, only came to painting after first studying science. Nevertheless, all theoretical advances seek justification in past practice, and in this case the mathematical proportions expressed in abstract form are to be identified in various art forms over millennia. Thus, argued Haftmann, “the elimination of representational images and the overt use of pure geometry do not imply a radical and definitive rejection of the great art of the past, but rather a reassertion of its eternal values stripped of their historical and social disguises.” While Abstraction-Création was a grouping of all modernistic tendencies, there were those within it who carried the idea of mathematically inspired art and the term ‘concrete art’ to other countries when they moved elsewhere. A key figure among them was Joaquin Torres García, who returned to South America in 1934 and mentored artists there. Some of those went on to found the group Arte Concreto Invención in Buenos Aires in 1945. Another was the designer Max Bill, who had studied at the Bauhaus in 1927-9. After returning to Switzerland, he helped organize the Allianz group to champion the ideals of Concrete Art. In 1944 he organized the first international exhibition in Basle and at the same time founded abstract-konkret, the monthly bulletin of the Gallerie des Eaux Vives in Zurich. By 1960 Bill was organizing a large retrospective exhibition of Concrete Art in Zürich illustrating 50 years of its development. In 1949, Max Bill formulated the goal of Concrete Art in his introduction to the catalogue of the Zurich Concrete Art exhibition: "The goal of Concrete Art is to develop objects for intellectual use, in a similar way to how man creates objects for material use. In its ultimate consequence, concrete art is the pure expression of harmonious measure and law. It orders systems and gives life to these orders by artistic means".

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)

A.P.POLO - ENNEADEN

Giclée Canvas Print

Stretched Split Canvas

Acrylic Print

Brushed Metal Print / Smooth White Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

Wood Print

Roll Print

Mural Print

Framed Print

Standard size framed print

Wall Clock

Product details

Digital Download

Print One Plant One

Proudly Canadian

A.P.POLO - ENNEADEN

Giclée Canvas Print

Stretched Split Canvas

Acrylic Print

Brushed Metal Print / Smooth White Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

Wood Print

Roll Print

Mural Print

Framed Print

Standard size framed print

Wall Clock

Product details

Digital Download

Print One Plant One

Proudly Canadian

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