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# 407434

A.P.POLO - CONSTRUCTIO



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LIMITED EDITION of 50
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A.P.Polo - "Constructio" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that creates a complex structure in a monochromatic manner ...[+]


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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look     
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

Stretched Canvas Print   We ship in USA & Canada
Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style
20 x 20 inches
51 x 51 cm
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$301
24 x 24 inches
62 x 62 cm
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$324
30 x 30 inches
77 x 77 cm
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$449
36 x 36 inches
92 x 92 cm
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$602
42 x 42 inches
108 x 108 cm
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$1211
48 x 48 inches
123 x 123 cm
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$1375


Stretched Split Canvas


A.P.Polo - Constructio Canvas print
36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ]   2X [ 12x30 ]
$746

Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.  
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[+]

  Acrylic Print with Floating Frame on the back
Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire    
1/8" Thickness:
20 x 20 inches
51 x 51 cm
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$451
24 x 24 inches
62 x 62 cm
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$588
30 x 30 inches
77 x 77 cm
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$840
36 x 36 inches
92 x 92 cm
Image Preview
$1149
42 x 42 inches
108 x 108 cm
Image Preview
$1896
48 x 48 inches
123 x 123 cm
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$2316
3/16" Thickness:
20 x 20 inches
51 x 51 cm
Image Preview
$611
24 x 24 inches
62 x 62 cm
Image Preview
$785
30 x 30 inches
77 x 77 cm
Image Preview
$1105
36 x 36 inches
92 x 92 cm
Image Preview
$1495
42 x 42 inches
108 x 108 cm
Image Preview
$2340
48 x 48 inches
123 x 123 cm
Image Preview
$2873

  Acrylic Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
1/8" Thickness:
20 x 20 inches
51 x 51 cm
Image Preview
$451
24 x 24 inches
62 x 62 cm
Image Preview
$588
30 x 30 inches
77 x 77 cm
Image Preview
$840
36 x 36 inches
92 x 92 cm
Image Preview
$1149
42 x 42 inches
108 x 108 cm
Image Preview
$1896
48 x 48 inches
123 x 123 cm
Image Preview
$2316
3/16" Thickness:
20 x 20 inches
51 x 51 cm
Image Preview
$611
24 x 24 inches
62 x 62 cm
Image Preview
$785
30 x 30 inches
77 x 77 cm
Image Preview
$1105
36 x 36 inches
92 x 92 cm
Image Preview
$1495
42 x 42 inches
108 x 108 cm
Image Preview
$2340
48 x 48 inches
123 x 123 cm
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$2873


Brushed Metal Print / Smooth White Metal Print

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The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

  Brushed Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
20 x 20 inches
51 x 51 cm
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$426
24 x 24 inches
62 x 62 cm
Image Preview
$556
30 x 30 inches
77 x 77 cm
Image Preview
$796
36 x 36 inches
92 x 92 cm
Image Preview
$1089
42 x 42 inches
108 x 108 cm
Image Preview
$1818
48 x 48 inches
123 x 123 cm
Image Preview
$2217

  Brushed Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
20 x 20 inches
51 x 51 cm
Image Preview
$426
24 x 24 inches
62 x 62 cm
Image Preview
$556
30 x 30 inches
77 x 77 cm
Image Preview
$796
36 x 36 inches
92 x 92 cm
Image Preview
$1089
42 x 42 inches
108 x 108 cm
Image Preview
$1818
48 x 48 inches
123 x 123 cm
Image Preview
$2217

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]  



  White Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
20 x 20 inches
51 x 51 cm
Image Preview
$426
24 x 24 inches
62 x 62 cm
Image Preview
$556
30 x 30 inches
77 x 77 cm
Image Preview
$796
36 x 36 inches
92 x 92 cm
Image Preview
$1089
42 x 42 inches
108 x 108 cm
Image Preview
$1818
48 x 48 inches
123 x 123 cm
Image Preview
$2217

  White Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
20 x 20 inches
51 x 51 cm
Image Preview
$426
24 x 24 inches
62 x 62 cm
Image Preview
$556
30 x 30 inches
77 x 77 cm
Image Preview
$796
36 x 36 inches
92 x 92 cm
Image Preview
$1089
42 x 42 inches
108 x 108 cm
Image Preview
$1818
48 x 48 inches
123 x 123 cm
Image Preview
$2217



HD ChromaLuxe Sublimation High-Gloss Metal Print

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A.P.Polo - Constructio  HD Metal print with Floating Frame on Back
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A.P.Polo - Constructio HD Sublimation Metal print
A.P.Polo - Constructio Metal print

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel  
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[+]

  Sublimation Hi-Gloss White Metal Print with Back frame
Printed to the edge & Ready to hang a floating frame and hanging wire 
20 x 20 inches
51 x 51 cm
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$550
24 x 24 inches
62 x 62 cm
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$738
30 x 30 inches
77 x 77 cm
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$1082
36 x 36 inches
92 x 92 cm
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$1504

  Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)
Inside a decorating frame (Box) - Black Floating Frame
20 x 20 inches
51 x 51 cm
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$659
24 x 24 inches
62 x 62 cm
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$879
30 x 30 inches
77 x 77 cm
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$1272
36 x 36 inches
92 x 92 cm
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$1742


Wood Print

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A.P.Polo - Constructio  Wood print
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A.P.Polo - Constructio Wood print

Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

Wood Print with Back Frame Mount
Printed to the edge & Ready to hang a floating frame  
Video
[+]
20 x 20 inches
51 x 51 cm
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$396
24 x 24 inches
62 x 62 cm
Image Preview
$515
30 x 30 inches
77 x 77 cm
Image Preview
$734
36 x 36 inches
92 x 92 cm
Image Preview
$1002
42 x 42 inches
108 x 108 cm
Image Preview
$1702
48 x 48 inches
123 x 123 cm
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$2068


Roll Print

We ship worldwide

Giclée Roll Canvas Print
 
Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
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$142
24 x 24 inches
62 x 62 cm
Image Preview
$177
30 x 30 inches
77 x 77 cm
Image Preview
$241
36 x 36 inches
92 x 92 cm
Image Preview
$320
42 x 42 inches
108 x 108 cm
Image Preview
$413
48 x 48 inches
123 x 123 cm
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$520
55 x 55 inches
141 x 141 cm
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$663


Premium Acid Free Giclée Poster Paper
 
Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
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$109
24 x 24 inches
62 x 62 cm
Image Preview
$130
30 x 30 inches
77 x 77 cm
Image Preview
$167
36 x 36 inches
92 x 92 cm
Image Preview
$213
42 x 42 inches
108 x 108 cm
Image Preview
$268
48 x 48 inches
123 x 123 cm
Image Preview
$330
55 x 55 inches
141 x 141 cm
Image Preview
$414


Giclée Art Matte Paper Print
 
Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]
20 x 20 inches
51 x 51 cm
Image Preview
$153
24 x 24 inches
62 x 62 cm
Image Preview
$193
30 x 30 inches
77 x 77 cm
Image Preview
$267
36 x 36 inches
92 x 92 cm
Image Preview
$356
42 x 42 inches
108 x 108 cm
Image Preview
$462


Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]
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To get your mural price, enter your wall measurement:

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
[More info about our Mural prints]

Framed Print View 3D

Get this artwork "A.P.Polo - Constructio" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:
A.P.Polo - Constructio Picture Frame Printing
Frame model shown: 832-745

Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame
Moulding  Frame

Standard size framed print

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28 x 28"
$399
28 x 28" Framed Print View 3D

A.P.Polo - Constructio Frame print
Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.   
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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

Build yours

Digital Download

File resolution: 9999 x 9999 pixels


ABOUT THIS ARTWORK: A.P.POLO - CONSTRUCTIO
A.P.Polo - "Constructio" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that creates a complex structure in a monochromatic manner through the skilful use of light and shadow with a multitude of geometric forms whose common element is the right angle and which is classified by art critics as constructive art and by money-hungry gallery owners as concrete art. "The work of art must be completely conceived and shaped in the mind before it is executed. It must contain nothing of the formal realities of nature, the senses and the feelings. We want to eliminate lyricism, drama, symbolism and so on. The picture must be constructed exclusively from plastic elements, i.e. from surfaces and colours. A picture element has no other meaning than itself. For we have left the time of searching and speculative experiments behind us. In the search for purity, artists were forced to destroy the natural form. Today the idea of the art form is as obsolete as the idea of the natural form. We foresee the time of pure painting. For nothing is more concrete, more real, than a line, a colour, a surface. Concrete and not abstract painting. For the spirit has reached the state of maturity. It needs clear, intellectual means to manifest itself in a concrete way. Colour is the basic substance of painting; it means only itself. Painting is a means of realising thought in a visual way: Every painting is a colour thought. Before the work is transformed into matter, it exists in a complete way in consciousness. It is also necessary that the realisation has a technical perfection equal to that of the mental design. We work with the quantities of mathematics - Euclidean or non-Euclidean - and science, that is: with the means of thought." "Painting is a means of realising thought in an optical way". Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Around 1903, a major turning point in art began. Painting and sculpture became increasingly distant from visible reality. Henri Matisse said that when you look at a painting, you have to completely forget what it represents. It is art that grants form, colour and pictorial composition far-reaching autonomy from the representational. This movement away from the world of the visible was called abstraction. It is about concentrating on the essential, the necessary. From 1910 onwards, an art emerged that consistently pursued the path of abstraction. Every remnant of representation, pictorial or figurative, was rejected: "Could such an art - which had obviously become completely independent - still be called an extreme form of abstraction, integral or total abstraction? Was there not something fundamentally new, a complete autonomy of pictorial design?" Wassily Kandinsky stated that art now only followed its own, art-immanent laws. It was an art of pure non-objectivity. Quote: "The new art has brought to the fore the principle that art can only have itself as its content. Thus we do not find in it the idea of anything, but only the idea of art itself, of its self-content. Art's very own idea is its non-objectivity." In 1930, Michel Seuphor had defined the role of the abstract artist in the first issue of Cercle et Carré. It was “to establish, on the foundations of a structure that is simple, severe and unadorned in every part, and within a basis of unconcealed narrow unity with this structure, an architecture which, using the technical means available to its period, expresses in a clear language that which is truly immanent and immutable.” The art historian Werner Haftmann traces the development of the pure abstraction proposed by Seuphor to the synthesis of Russian Constructivism and Dutch Neo-Plasticism in the Bauhaus, where painting abandoned the artificiality of representation for technological authenticity. “In close connection with architecture and engineering, art should endeavour to give form to life itself. The former provided new sources of inspiration as well as new materials – steel, aluminium, glass, synthetic materials.” As van Doesburg had pointed out in his manifesto, in order to be universal, art must abandon subjectivity and find impersonal inspiration purely in the elements of which it is constructed: line, plane and color. Some later artists associated with this tendency, such as Victor Vasarély, Jean Dewasne, Mario Negro and Richard Mortensen, only came to painting after first studying science. Nevertheless, all theoretical advances seek justification in past practice, and in this case the mathematical proportions expressed in abstract form are to be identified in various art forms over millennia. Thus, argued Haftmann, “the elimination of representational images and the overt use of pure geometry do not imply a radical and definitive rejection of the great art of the past, but rather a reassertion of its eternal values stripped of their historical and social disguises.” While Abstraction-Création was a grouping of all modernistic tendencies, there were those within it who carried the idea of mathematically inspired art and the term ‘concrete art’ to other countries when they moved elsewhere. A key figure among them was Joaquin Torres García, who returned to South America in 1934 and mentored artists there. Some of those went on to found the group Arte Concreto Invención in Buenos Aires in 1945. Another was the designer Max Bill, who had studied at the Bauhaus in 1927-9. After returning to Switzerland, he helped organize the Allianz group to champion the ideals of Concrete Art. In 1944 he organized the first international exhibition in Basle and at the same time founded abstract-konkret, the monthly bulletin of the Gallerie des Eaux Vives in Zurich. By 1960 Bill was organizing a large retrospective exhibition of Concrete Art in Zürich illustrating 50 years of its development. In 1949, Max Bill formulated the goal of Concrete Art in his introduction to the catalogue of the Zurich Concrete Art exhibition: "The goal of Concrete Art is to develop objects for intellectual use, in a similar way to how man creates objects for material use. In its ultimate consequence, concrete art is the pure expression of harmonious measure and law. It orders systems and gives life to these orders by artistic means".

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)

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