A.P.Polo - Polygonal

LIMITED EDITION of 50

A P POLO

# 406569

A.P.POLO - POLYGONAL

Name: A.P.Polo - Polygonal by A P Polo Wall Art
Brand: Pictorem
SKU: 406569
Availability: InStock

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A.P.Polo - "Polygonal" - Hamburg (Germany) - New Media Art. Abstract, geometric contemporary representation, which, through the skilful use of light ...[+]

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - POLYGONAL A P POLO Canvas Print

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Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

36 x 36 triptych - split canvas
39 x 36 inches including space.
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36 x 36 cross triptych split canvas
39 x 36 inches including space.
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Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

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1/8" Thickness:

20 x 20 inches

51 x 51 cm

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^$441

24 x 24 inches

62 x 62 cm

1/8 - Back Frame Mount

^$575

30 x 30 inches

77 x 77 cm

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36 x 36 inches

92 x 92 cm

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^$1123

42 x 42 inches

108 x 108 cm

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^$1853

48 x 48 inches

123 x 123 cm

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3/16" Thickness:

20 x 20 inches

51 x 51 cm

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^$598

24 x 24 inches

62 x 62 cm

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^$768

30 x 30 inches

77 x 77 cm

3/16 - Back Frame Mount

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36 x 36 inches

92 x 92 cm

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42 x 42 inches

108 x 108 cm

3/16 - Back Frame Mount

^$2288

48 x 48 inches

123 x 123 cm

3/16 - Back Frame Mount

^$2809

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

20 x 20 inches

51 x 51 cm

1/8 with 4 metal stand off

^$441

24 x 24 inches

62 x 62 cm

1/8 with 4 metal stand off

^$575

30 x 30 inches

77 x 77 cm

1/8 with 4 metal stand off

^$821

36 x 36 inches

92 x 92 cm

1/8 with 4 metal stand off

^$1123

42 x 42 inches

108 x 108 cm

1/8 with 4 metal stand off

^$1853

48 x 48 inches

123 x 123 cm

1/8 with 6 metal stand off

^$2264

3/16" Thickness:

20 x 20 inches

51 x 51 cm

3/16 with 4 metal stand off

^$598

24 x 24 inches

62 x 62 cm

3/16 with 4 metal stand off

^$768

30 x 30 inches

77 x 77 cm

3/16 with 4 metal stand off

^$1080

36 x 36 inches

92 x 92 cm

3/16 with 4 metal stand off

^$1462

42 x 42 inches

108 x 108 cm

3/16 with 4 metal stand off

^$2288

48 x 48 inches

123 x 123 cm

3/16 with 4 metal stand off

^$2809

Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - Polygonal HD Metal print with Floating Frame on Back

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A.P.Polo - Polygonal HD Sublimation Metal print

A.P.Polo - Polygonal HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Multi Panel HD Metal Print

Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Multi Panel Wood Print

Roll Print

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Giclée Roll Canvas Print

Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]

Premium Acid Free Giclée Poster Paper

Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

Giclée Art Matte Paper Print

Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Framed Print

Get this artwork "A.P.Polo - Polygonal" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

A.P.Polo - Polygonal Picture Frame Printing

Frame model shown: 832-745

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Standard size framed print

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28 x 28"

^$390

28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

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Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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Digital Download

File resolution: 8000 x 8000 pixels

ABOUT A P POLO fs
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ABOUT THIS ARTWORK: A.P.POLO - POLYGONAL
A.P.Polo - "Polygonal" - Hamburg (Germany) - New Media Art. Abstract, geometric contemporary representation, which, through the skilful use of light and shadow, gives the viewer the impression of symmetry, when in fact there is none. This work can be attributed to concrete art, while at the same time being reminiscent of Op Art. In geometry, a polygon is a plane figure that is described by a finite number of straight line segments connected to form a closed polygonal chain or polygonal circuit. The solid plane region, the bounding circuit, or the two together, may be called a polygon. The segments of a polygonal circuit are called its edges or sides, and the points where two edges meet are the polygon's vertices (singular: vertex) or corners. The interior of a solid polygon is sometimes called its body. An n-gon is a polygon with n sides; for example, a triangle is a 3-gon. A simple polygon is one which does not intersect itself. Mathematicians are often concerned only with the bounding polygonal chains of simple polygons and they often define a polygon accordingly. A polygonal boundary may be allowed to cross over itself, creating star polygons and other self-intersecting polygons. A polygon is a 2-dimensional example of the more general polytope in any number of dimensions. There are many more generalizations of polygons defined for different purposes. Polygons have been known since ancient times. The regular polygons were known to the ancient Greeks, with the pentagram, a non-convex regular polygon (star polygon), appearing as early as the 7th century B.C. on a krater by Aristophanes, found at Caere and now in the Capitoline Museum. The first known systematic study of non-convex polygons in general was made by Thomas Bradwardine in the 14th century. In 1952, Geoffrey Colin Shephard generalized the idea of polygons to the complex plane, where each real dimension is accompanied by an imaginary one, to create complex polygons. Polygons appear in rock formations, most commonly as the flat facets of crystals, where the angles between the sides depend on the type of mineral from which the crystal is made. Regular hexagons can occur when the cooling of lava forms areas of tightly packed columns of basalt, which may be seen at the Giant's Causeway in Northern Ireland, or at the Devil's Postpile in California. In biology, the surface of the wax honeycomb made by bees is an array of hexagons, and the sides and base of each cell are also polygons. In computer science, important approximations of complex polygons are the convex hull and the minimum surrounding rectangle. In algorithms, the approximation is often first used to test for (or exclude) a possible non-empty intersection with another geometric object, and only then is the entire polygon loaded into memory and an exact intersection calculated. In 3D computer graphics, among other methods of geometric modelling, any (also curved) surface is modelled as a polygon mesh. Triangular meshes are particularly suitable for the fast representation of surfaces, but cannot be interpolated as well by subdivision surfaces. There are a number of well-known data structures for storing polygonal meshes. In architecture, regular polygons are often used as floor plans. Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Op art, short for optical art, is a style of visual art that uses optical illusions. Op art works are abstract, with many better known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping. The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. One of his lessons consisted of making his students produce holes in cards and then photographing them. Time magazine coined the term op art in 1964, in response to Julian Stanczak's show Optical Paintings at the Martha Jackson Gallery, to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works now described as "op art" had been produced for several years before Time's 1964 article. For instance, Victor Vasarely's painting Zebras (1938) is made up entirely of curvilinear black and white stripes not contained by contour lines. Consequently, the stripes appear to both meld into and burst forth from the surrounding background. Also, the early black and white "dazzle" panels that John McHale installed at the This Is Tomorrow exhibit in 1956 and his Pandora series at the Institute of Contemporary Arts in 1962 demonstrate proto-op art tendencies. Martin Gardner featured op Art and its relation to mathematics in his July 1965 Mathematical Games column in Scientific American. In Italy, Franco Grignani, who originally trained as an architect, became a leading force of graphic design where op art or kinetic art was central. His Woolmark logo (launched in Britain in 1964) is probably the most famous of all his designs. Op art perhaps more closely derives from the constructivist practices of the Bauhaus. This German school, founded by Walter Gropius, stressed the relationship of form and function within a framework of analysis and rationality. Students learned to focus on the overall design or entire composition to present unified works. Op art also stems from trompe-l'œil and anamorphosis. Links with psychological research have also been made, particularly with Gestalt theory and psychophysiology.[2] When the Bauhaus was forced to close in 1933, many of its instructors fled to the United States. There, the movement took root in Chicago and eventually at the Black Mountain College in Asheville, North Carolina, where Anni and Josef Albers eventually taught.

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)