A.P.Polo - Acid Potato

A P POLO

# 316034

A.P.POLO - ACID POTATO

Name: A.P.Polo - Acid Potato by A P Polo Wall Art
Brand: Pictorem
SKU: 316034
Availability: InStock

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A.P.Polo - "Acid Potato" - Hamburg (Germany) - New Media Art. Abstract, contemporary work of art that documents in a slightly humorous way the psyche...[+]

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - ACID POTATO A P POLO Canvas Print

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Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

A.P.Polo - Acid Potato Split Canvas print

36 x 36 triptych - split canvas
39 x 36 inches including space.
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36 x 36 cross triptych split canvas
39 x 36 inches including space.
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Acrylic Print with Floating Frame on the back

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31 x 31 cm

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16 x 16 inches

41 x 41 cm

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20 x 20 inches

51 x 51 cm

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24 x 24 inches

62 x 62 cm

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30 x 30 inches

77 x 77 cm

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36 x 36 inches

92 x 92 cm

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42 x 42 inches

108 x 108 cm

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48 x 48 inches

123 x 123 cm

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Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

12 x 12 inches

31 x 31 cm

1/8 with 4 metal stand off

^$94

16 x 16 inches

41 x 41 cm

1/8 with 4 metal stand off

^$126

20 x 20 inches

51 x 51 cm

1/8 with 4 metal stand off

^$168

24 x 24 inches

62 x 62 cm

1/8 with 4 metal stand off

^$219

30 x 30 inches

77 x 77 cm

1/8 with 4 metal stand off

^$313

36 x 36 inches

92 x 92 cm

1/8 with 4 metal stand off

^$427

42 x 42 inches

108 x 108 cm

1/8 with 4 metal stand off

^$706

48 x 48 inches

123 x 123 cm

1/8 with 6 metal stand off

^$862

3/16" Thickness:

12 x 12 inches

31 x 31 cm

3/16 with 4 metal stand off

^$134

16 x 16 inches

41 x 41 cm

3/16 with 4 metal stand off

^$175

20 x 20 inches

51 x 51 cm

3/16 with 4 metal stand off

^$228

24 x 24 inches

62 x 62 cm

3/16 with 4 metal stand off

^$292

30 x 30 inches

77 x 77 cm

3/16 with 4 metal stand off

^$411

36 x 36 inches

92 x 92 cm

3/16 with 4 metal stand off

^$557

42 x 42 inches

108 x 108 cm

3/16 with 4 metal stand off

^$871

48 x 48 inches

123 x 123 cm

3/16 with 4 metal stand off

^$1069

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Brushed Metal Print

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The areas of the photograph that are white or very light are not printed The white areas appear metallic.
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Brushed Metal Print with Floating Frame on the back

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Brushed Metal Print with Stand off

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Direct print on metal to provide a white smooth satin finish with controlled light reflection.
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White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

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A.P.Polo - Acid Potato HD Metal print with Floating Frame on Back

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A.P.Polo - Acid Potato HD Sublimation Metal print

A.P.Polo - Acid Potato HD Sublimation Metal print with Decorating Float Frame (BOX)

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This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

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Premium Acid Free Giclée Poster Paper

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A.P.Polo - Acid Potato Picture Frame Printing

Frame model shown: 832-745

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28 x 28"

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28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
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Wall Clock

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This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
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File resolution: 6226 x 6226 pixels

ABOUT A P POLO fs
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ABOUT THIS ARTWORK: A.P.POLO - ACID POTATO
A.P.Polo - "Acid Potato" - Hamburg (Germany) - New Media Art. Abstract, contemporary work of art that documents in a slightly humorous way the psychedelic experience with a potato and the alien within it. Lysergic acid diethylamide, also known as LSD or acid, is a chemically produced derivative of lysergic acid, which occurs naturally in ergot alkaloids. LSD is one of the strongest known hallucinogens and belongs to their subgroup of psychedelics, which affect the body's serotonin system. Even in very small doses in the lower microgram range, it causes long-lasting effects, which include altered thoughts and feelings and a changed state of consciousness. It has no potential for dependence. In addition, no deaths due to an overdose of LSD are known. Effects typically begin within half an hour and can last for up to 12 hours. It is used mainly as a recreational drug or for spiritual reasons.The chemist Albert Hofmann first produced lysergic acid diethylamide on November 16, 1938, as part of his research on ergot. His aim was to develop a circulatory stimulant. After this hoped-for effect of LSD did not occur in animal experiments, Hofmann initially lost interest and archived his research results. On April 16, 1943, Hofmann decided to re-examine possible effects of LSD; he suspected that he had overlooked something in the first experiments. During his work with LSD, Hofmann noticed a hallucinogenic effect in himself that he could not explain at first. He suspected that LSD had been absorbed through the skin by his body due to unclean work. He repeated this experience on April 19, 1943, by taking 250 micrograms of LSD. Compared to the effectiveness of the ergot alkaloids known at that time, this was the smallest amount at which one could have expected any effect. It turned out, however, that this amount was already ten times the normally effective dose (from about 20 µg) of lysergic acid diethylamide. This date is now considered the date of discovery of the psychoactive properties of LSD. The anniversary is celebrated by pop-cultural LSD supporters as "Bicycle Day", since Hofmann rode his bicycle home at the beginning of his consciously induced intoxication experience. The Sandoz company, on whose behalf Hofmann carried out research, launched the preparation in 1949 under the name "Delysid". After its discovery by Albert Hofmann, it was initially available as a drug for a long time due to its great potential in psychotherapy. In the hippie era of the 1960s, the recreational use of LSD was widespread and led many consumers to question the established belief systems. In 1971, the United Nations therefore agreed in the Convention on Psychotropic Substances to ban virtually all psychotropic substances known at that time, including LSD (with the only exception of the drugs caffeine, nicotine and alcohol, which had been in use in the Western world for some time). Since about 1990, there has been increased research with hallucinogens such as LSD for psychotherapy, including the treatment of alcohol addiction and depression. About 10 percent of people in the United States have used LSD at some point in their lives as of 2017, while 0.7 percent have used it in the last year. It was most popular in the 1960s to 1980s. The use of LSD among US adults increased 56.4% from 2015 to 2018. In the 1950s, the Central Intelligence Agency (CIA) believed that the drug might be useful for mind control, so they tested it on people, some without their knowledge, in a program called MKUltra. The CIA introduced LSD to the United States, purchasing the entire world's supply for $240,000 and propagating the LSD, through CIA front organizations to American hospitals, clinics, prisons and research centers. Experiments included administering LSD to CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public in order to study their reactions, usually without the subjects' knowledge. The project was revealed in the US congressional Rockefeller Commission report in 1975. In 1963, the Sandoz patents expired on LSD. Several figures, including Aldous Huxley, Timothy Leary, and Al Hubbard, began to advocate the consumption of LSD. LSD became central to the counterculture of the 1960s. In the early 1960s the use of LSD and other hallucinogens was advocated by new proponents of consciousness expansion such as Leary, Huxley, Alan Watts and Arthur Koestler, and according to L. R. Veysey they profoundly influenced the thinking of the new generation of youth. By the mid-1960s, the youth countercultures in California, particularly in San Francisco, had adopted the use of hallucinogenic drugs, with the first major underground LSD factory established by Owsley Stanley. From 1964, the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events primarily staged in or near San Francisco, involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music known as the psychedelic symphony. The Pranksters helped popularize LSD use, through their road trips across America in a psychedelically-decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test (1968). In San Francisco's Haight-Ashbury neighborhood, brothers Ron and Jay Thelin opened the Psychedelic Shop in January 1966. The Thelins opened the store to promote safe use of LSD, which was then still legal in California. The Psychedelic Shop helped to further popularize LSD in the Haight and to make the neighborhood the unofficial capital of the hippie counterculture in the United States. A similar and connected nexus of LSD use in the creative arts developed around the same time in London. A key figure in this phenomenon in the UK was British academic Michael Hollingshead, who first tried LSD in America in 1961 while he was the Executive Secretary for the Institute of British-American Cultural Exchange. After being given a large quantity of pure Sandoz LSD (which was still legal at the time) and experiencing his first "trip," Hollingshead contacted Aldous Huxley, who suggested that he get in touch with Harvard academic Timothy Leary, and over the next few years, in concert with Leary and Richard Alpert, Hollingshead played a major role in their famous LSD research at Millbrook before moving to New York City, where he conducted his own LSD experiments. In 1965 Hollingshead returned to the UK and founded the World Psychedelic Center in Chelsea, London.

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)