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A.P.POLO - SOTHEBY´S TOILET



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A.P.Polo - "Sotheby´s Toilet" - Hamburg (Germany). Painting / New Media Art. Abstract, contemporary work representing the original residue of cocain...[+]


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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look     
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

Stretched Canvas Print   We ship in USA & Canada
Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style
21 x 24 inches
54 x 62 cm
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$152
26 x 30 inches
67 x 77 cm
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$199
31 x 36 inches
79 x 92 cm
Image Preview
$257
37 x 42 inches
95 x 108 cm
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$332
42 x 48 inches
108 x 123 cm
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$581
48 x 55 inches
123 x 141 cm
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$688
52 x 60 inches
133 x 154 cm
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$771


Stretched Split Canvas


A.P.Polo - Sotheby´s Toilet Canvas print
31 x 36 cross triptych split canvas
34 x 36 inches including space.
1X [ 10x36 ]   2X [ 10x30 ]
$304

Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.  
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  Acrylic Print with Floating Frame on the back
Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire    
1/8" Thickness:
21 x 24 inches
54 x 62 cm
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$236
26 x 30 inches
67 x 77 cm
Image Preview
$332
31 x 36 inches
79 x 92 cm
Image Preview
$448
37 x 42 inches
95 x 108 cm
Image Preview
$599
42 x 48 inches
108 x 123 cm
Image Preview
$929
48 x 55 inches
123 x 141 cm
Image Preview
$1145
3/16" Thickness:
21 x 24 inches
54 x 62 cm
Image Preview
$317
26 x 30 inches
67 x 77 cm
Image Preview
$438
31 x 36 inches
79 x 92 cm
Image Preview
$585
37 x 42 inches
95 x 108 cm
Image Preview
$777
42 x 48 inches
108 x 123 cm
Image Preview
$1150
48 x 55 inches
123 x 141 cm
Image Preview
$1423

  Acrylic Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
1/8" Thickness:
21 x 24 inches
54 x 62 cm
Image Preview
$236
26 x 30 inches
67 x 77 cm
Image Preview
$332
31 x 36 inches
79 x 92 cm
Image Preview
$448
37 x 42 inches
95 x 108 cm
Image Preview
$599
42 x 48 inches
108 x 123 cm
Image Preview
$929
48 x 55 inches
123 x 141 cm
Image Preview
$1145
3/16" Thickness:
21 x 24 inches
54 x 62 cm
Image Preview
$317
26 x 30 inches
67 x 77 cm
Image Preview
$438
31 x 36 inches
79 x 92 cm
Image Preview
$585
37 x 42 inches
95 x 108 cm
Image Preview
$777
42 x 48 inches
108 x 123 cm
Image Preview
$1150
48 x 55 inches
123 x 141 cm
Image Preview
$1423


Brushed Metal Print / Smooth White Metal Print

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The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

  Brushed Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
21 x 24 inches
54 x 62 cm
Image Preview
$223
26 x 30 inches
67 x 77 cm
Image Preview
$314
31 x 36 inches
79 x 92 cm
Image Preview
$424
37 x 42 inches
95 x 108 cm
Image Preview
$568
42 x 48 inches
108 x 123 cm
Image Preview
$890
48 x 55 inches
123 x 141 cm
Image Preview
$1095

  Brushed Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
21 x 24 inches
54 x 62 cm
Image Preview
$223
26 x 30 inches
67 x 77 cm
Image Preview
$314
31 x 36 inches
79 x 92 cm
Image Preview
$424
37 x 42 inches
95 x 108 cm
Image Preview
$568
42 x 48 inches
108 x 123 cm
Image Preview
$890
48 x 55 inches
123 x 141 cm
Image Preview
$1095

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]  



  White Metal Print with Floating Frame on the back
Printed to the edge & Ready to hang a floating frame and hanging wire 
21 x 24 inches
54 x 62 cm
Image Preview
$223
26 x 30 inches
67 x 77 cm
Image Preview
$314
31 x 36 inches
79 x 92 cm
Image Preview
$424
37 x 42 inches
95 x 108 cm
Image Preview
$568
42 x 48 inches
108 x 123 cm
Image Preview
$890
48 x 55 inches
123 x 141 cm
Image Preview
$1095

  White Metal Print with Stand off
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
21 x 24 inches
54 x 62 cm
Image Preview
$223
26 x 30 inches
67 x 77 cm
Image Preview
$314
31 x 36 inches
79 x 92 cm
Image Preview
$424
37 x 42 inches
95 x 108 cm
Image Preview
$568
42 x 48 inches
108 x 123 cm
Image Preview
$890
48 x 55 inches
123 x 141 cm
Image Preview
$1095



HD ChromaLuxe Sublimation High-Gloss Metal Print

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A.P.Polo - Sotheby´s Toilet  HD Metal print with Floating Frame on Back
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A.P.Polo - Sotheby´s Toilet HD Sublimation Metal print
A.P.Polo - Sotheby´s Toilet Metal print

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel  
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[+]

  Sublimation Hi-Gloss White Metal Print with Back frame
Printed to the edge & Ready to hang a floating frame and hanging wire 
21 x 24 inches
54 x 62 cm
Image Preview
$294
26 x 30 inches
67 x 77 cm
Image Preview
$424
31 x 36 inches
79 x 92 cm
Image Preview
$583
37 x 42 inches
95 x 108 cm
Image Preview
$790

  Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)
Inside a decorating frame (Box) - Black Floating Frame
21 x 24 inches
54 x 62 cm
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$351
26 x 30 inches
67 x 77 cm
Image Preview
$501
31 x 36 inches
79 x 92 cm
Image Preview
$680
37 x 42 inches
95 x 108 cm
Image Preview
$908


Wood Print

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A.P.Polo - Sotheby´s Toilet  Wood print
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A.P.Polo - Sotheby´s Toilet Wood print

Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

Wood Print with Back Frame Mount
Printed to the edge & Ready to hang a floating frame  
Video
[+]
21 x 24 inches
54 x 62 cm
Image Preview
$207
26 x 30 inches
67 x 77 cm
Image Preview
$290
31 x 36 inches
79 x 92 cm
Image Preview
$391
37 x 42 inches
95 x 108 cm
Image Preview
$523
42 x 48 inches
108 x 123 cm
Image Preview
$832
48 x 55 inches
123 x 141 cm
Image Preview
$1019


Roll Print

We ship worldwide

Giclée Roll Canvas Print
 
Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]
21 x 24 inches
54 x 62 cm
Image Preview
$72
26 x 30 inches
67 x 77 cm
Image Preview
$97
31 x 36 inches
79 x 92 cm
Image Preview
$126
37 x 42 inches
95 x 108 cm
Image Preview
$165
42 x 48 inches
108 x 123 cm
Image Preview
$205
48 x 55 inches
123 x 141 cm
Image Preview
$260
52 x 60 inches
133 x 154 cm
Image Preview
$303


Premium Acid Free Giclée Poster Paper
 
Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]
21 x 24 inches
54 x 62 cm
Image Preview
$54
26 x 30 inches
67 x 77 cm
Image Preview
$68
31 x 36 inches
79 x 92 cm
Image Preview
$85
37 x 42 inches
95 x 108 cm
Image Preview
$108
42 x 48 inches
108 x 123 cm
Image Preview
$132
48 x 55 inches
123 x 141 cm
Image Preview
$164
52 x 60 inches
133 x 154 cm
Image Preview
$189


Giclée Art Matte Paper Print
 
Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]
21 x 24 inches
54 x 62 cm
Image Preview
$79
26 x 30 inches
67 x 77 cm
Image Preview
$106
31 x 36 inches
79 x 92 cm
Image Preview
$140
37 x 42 inches
95 x 108 cm
Image Preview
$184
42 x 48 inches
108 x 123 cm
Image Preview
$231


Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]
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To get your mural price, enter your wall measurement:

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
[More info about our Mural prints]

Framed Print View 3D

Get this artwork "A.P.Polo - Sotheby´s Toilet" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:
A.P.Polo - Sotheby´s Toilet Picture Frame Printing
Frame model shown: 832-745

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Moulding  Frame
Moulding  Frame
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Moulding  Frame
Moulding  Frame

Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.   
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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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Digital Download

File resolution: 4192 x 4808 pixels


ABOUT THIS ARTWORK: A.P.POLO - SOTHEBY´S TOILET
A.P.Polo - "Sotheby´s Toilet" - Hamburg (Germany). Painting / New Media Art. Abstract, contemporary work representing the original residue of cocaine traces in the toilet of Sotheby's in London in a monochrome manner in various shades of grey and can be classified as constructivism or concrete art. Sothebys is a traditional auction house with centres in New York, London, Paris, Geneva and Hong Kong. It is one of the worlds leading companies in the art and antiques market. According to its own statements, around 300 experts handle some 70 areas of collecting, including paintings, furniture, musical instruments, manuscripts, sculptures, carpets, wine, watches, jewellery, cars and real estate. In 1744, Sothebys was founded by Samuel Baker in London. His nephew John Sotheby, who joined the company in 1778, gave it its final name. For 200 years, books and manuscripts dominated the business. Sothebys owes its rise to become one of the leading auction houses to its long-standing chairman Peter Cecil Wilson, who strategically pursued the internationalization of the auction business after the Second World War. In 1983 the American businessman and art lover Alfred Taubman took over the company. In his era, Impressionist works were sold at remarkable peak prices, for example, 78 million dollars for the Renoir painting Bal du moulin de la Galette. In May 1990, Sothebys achieved a record turnover of 286 million dollars in a single Impressionist auction. Every year, Sothebys holds more than 300 auctions worldwide. In the first half of 2013, Sothebys achieved consolidated sales of $3.14 billion. Over the past decades, Sothebys has auctioned exceptional masterpieces, particularly in the areas of Impressionism & Classic Modernism and Contemporary Art, and has brought some of the worlds most famous collections to auction. In February 2010, Alberto Giacomettis LHomme qui marche I, at GBP 65,001,250 (74,185,983 Euro), became the most expensive sculpture ever sold at auction (estimated price ranged from GBP 12 to 18 million). Monochromatic painting has been an important component of avant-garde visual art throughout the 20th century and into the 21st century. Painters have created the exploration of one color, examining values changing across a surface, texture, and nuance, expressing a wide variety of emotions, intentions, and meanings in many different forms. From geometric precision to expressionism, the monochrome has proved to be a durable idiom in Contemporary art. Monochrome painting was initiated at the first Incoherent arts' exhibition in 1882 in Paris, with a black painting by poet Paul Bilhaud entitled Combat de Nègres dans un tunnel (Negroes fight in a tunnel). (Although Bilhaud was not the first to create an all-black artwork: for example, Robert Fludd published an image of Darkness in his 1617 book on the origin and structure of the cosmos; and Bertall published his black Vue de La Hogue (effet de nuit) in 1843.) In the subsequent exhibitions of the Incoherent arts (also in the 1880s) the writer Alphonse Allais proposed other monochrome paintings, such as "Première communion de jeunes filles chlorotiques par un temps de neige" ("First communion of anaemic young girls in the snow", white), or "Récolte de la tomate par des cardinaux apoplectiques au bord de la Mer Rouge" ("Tomato harvesting by apoplectic cardinals on the shore of the Red Sea", red). Allais published his Album primo-avrilesque in 1897, a monograph with seven monochrome artworks. However, this kind of activity bears more similarity to 20th century Dada, or Neo-Dada, and particularly the works of the Fluxus group of the 1960s, than to 20th century monochrome painting since Malevich. Jean Metzinger, following the Succès de scandale created from the Cubist showing at the 1911 Salon des Indépendants, in an interview with Cyril Berger published in Paris-Journal 29 May 1911, stated: "We cubists have only done our duty by creating a new rhythm for the benefit of humanity. Others will come after us who will do the same. What will they find? That is the tremendous secret of the future. Who knows if someday, a great painter, looking with scorn on the often brutal game of supposed colorists and taking the seven colors back to the primordial white unity that encompasses them all, will not exhibit completely white canvases, with nothing, absolutely nothing on them. (Jean Metzinger, 29 May 1911)" Metzinger's (then) audacious prediction that artists would take abstraction to its logical conclusion by vacating representational subject matter entirely and returning to what Metzinger calls the "primordial white unity", a "completely white canvas" would be realized two years later. The writer of a satirical manifesto entitled Manifeste de l'école amorphiste, published in Les Hommes du Jour (3 May 1913), may have had Metzinger's vision in mind when the author justified amorphism's blank canvases by claiming 'light is enough for us'.With perspective, writes art historian Jeffery S. Weiss, "Vers Amorphisme may be gibberish, but it was also enough of a foundational language to anticipate the extreme reductivist implications of non-objectivity". In a broad and general sense, one finds European roots of minimalism in the geometric abstractions of painters associated with the Bauhaus, in the works of Kazimir Malevich, Piet Mondrian and other artists associated with the De Stijl movement, and the Russian Constructivist movement, and in the work of the Romanian sculptor Constantin Brâncu?i. Minimal art is also inspired in part by the paintings of Barnett Newman, Ad Reinhardt, Josef Albers, and the works of artists as diverse as Pablo Picasso, Marcel Duchamp, Giorgio Morandi, and others. Minimalism was also a reaction against the painterly subjectivity of Abstract Expressionism that had been dominant in the New York School during the 1940s and 1950s. The wide range of possibilities (including impossibility) of interpretation of monochrome paintings is arguably why the monochrome is so engaging to so many artists, critics, and writers. Although the monochrome has never become dominant and few artists have committed themselves exclusively to it, it has never gone away. It reappears as though a spectre haunting high modernism, or as a symbol of it, appearing during times of aesthetic and sociopolitical upheavals. Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field, a very important work in its own right to 20th century geometric abstraction. In 1921, Constructivist artist Alexander Rodchenko exhibited three paintings together, each a monochrome of one of the three primary colours. He intended this work to represent The Death of Painting. While Rodchenko intended his monochrome to be a dismantling of the typical assumptions of painting, Malevich saw his work as a concentration on them, a kind of meditation on art's essence (“pure feeling”). These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or “painting as object”) which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution—a new beginning—in Western painting's history (Malevich). Additionally, many have pointed out that it may be difficult to deduce the artist's intentions from the painting itself, without referring to the artist's comment. Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements.

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)

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