Green room.

YOUSSEF KAMEL

# 2006043

GREEN ROOM.

Name: Green room. by Youssef Kamel Wall Art
Brand: Pictorem
SKU: 2006043
Availability: InStock

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

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Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

45 x 36 triptych - split canvas
48 x 36 inches including space.
3X [ 15x36 ]
^$426

45 x 36 cross triptych split canvas
48 x 36 inches including space.
1X [ 15x36 ] 2X [ 15x30 ]
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45 x 36 Split Canvas
50x 36 inches including space.
1X [ 9x36 ] 2X [ 9x30 ] 2X [ 9X24 ]
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Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

3/16" thickness

1/8" Thickness:

12 x 10 inches

31 x 26 cm

1/8 - Back Frame Mount

^$116

16 x 13 inches

41 x 33 cm

1/8 - Back Frame Mount

^$150

20 x 16 inches

51 x 41 cm

1/8 - Back Frame Mount

^$193

24 x 19 inches

62 x 49 cm

1/8 - Back Frame Mount

^$245

30 x 24 inches

77 x 62 cm

1/8 - Back Frame Mount

^$347

36 x 29 inches

92 x 74 cm

1/8 - Back Frame Mount

^$473

42 x 34 inches

108 x 87 cm

1/8 - Back Frame Mount

^$621

48 x 39 inches

123 x 100 cm

1/8 - Back Frame Mount

^$983

55 x 45 inches

141 x 115 cm

1/8 - Back Frame Mount

^$1216

3/16" Thickness:

12 x 10 inches

31 x 26 cm

3/16 - Back Frame Mount

^$166

16 x 13 inches

41 x 33 cm

3/16 - Back Frame Mount

^$209

20 x 16 inches

51 x 41 cm

3/16 - Back Frame Mount

^$264

24 x 19 inches

62 x 49 cm

3/16 - Back Frame Mount

^$331

30 x 24 inches

77 x 62 cm

3/16 - Back Frame Mount

^$460

36 x 29 inches

92 x 74 cm

3/16 - Back Frame Mount

^$619

42 x 34 inches

108 x 87 cm

3/16 - Back Frame Mount

^$807

48 x 39 inches

123 x 100 cm

3/16 - Back Frame Mount

^$1214

55 x 45 inches

141 x 115 cm

3/16 - Back Frame Mount

^$1509

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

12 x 10 inches

31 x 26 cm

1/8 with 4 metal stand off

^$116

16 x 13 inches

41 x 33 cm

1/8 with 4 metal stand off

^$150

20 x 16 inches

51 x 41 cm

1/8 with 4 metal stand off

^$193

24 x 19 inches

62 x 49 cm

1/8 with 4 metal stand off

^$245

30 x 24 inches

77 x 62 cm

1/8 with 4 metal stand off

^$347

36 x 29 inches

92 x 74 cm

1/8 with 4 metal stand off

^$473

42 x 34 inches

108 x 87 cm

1/8 with 4 metal stand off

^$621

48 x 39 inches

123 x 100 cm

1/8 with 6 metal stand off

^$983

55 x 45 inches

141 x 115 cm

1/8 with 6 metal stand off

^$1216

3/16" Thickness:

12 x 10 inches

31 x 26 cm

3/16 with 4 metal stand off

^$166

16 x 13 inches

41 x 33 cm

3/16 with 4 metal stand off

^$209

20 x 16 inches

51 x 41 cm

3/16 with 4 metal stand off

^$264

24 x 19 inches

62 x 49 cm

3/16 with 4 metal stand off

^$331

30 x 24 inches

77 x 62 cm

3/16 with 4 metal stand off

^$460

36 x 29 inches

92 x 74 cm

3/16 with 4 metal stand off

^$619

42 x 34 inches

108 x 87 cm

3/16 with 4 metal stand off

^$807

48 x 39 inches

123 x 100 cm

3/16 with 4 metal stand off

^$1214

55 x 45 inches

141 x 115 cm

3/16 with 6 metal stand off

^$1509

Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

Green room. HD Metal print with Floating Frame on Back

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Green room. HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Multi Panel HD Metal Print

Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Multi Panel Wood Print

Roll Print

We ship worldwide

Giclée Roll Canvas Print

Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]

Premium Acid Free Giclée Poster Paper

Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

Giclée Art Matte Paper Print

Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Framed Print

Get this artwork "Green room." in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

Frame model shown: 832-745

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Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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Digital Download

File resolution: 4165 x 3341 pixels

ABOUT YOUSSEF KAMEL fs
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YOUSSEF KAMEL, Egypt (1891 - 1971) BIO Written by Arthur Debsi Born in 1891 in the neighborhood of El Zaher in Cairo, Youssef Kamel grew up in a popular district of the capital city, called Darb al-Ahmar. Following the steps of his father, Kamel started his studies at the École des Arts et Métiers in order to become an engineer, but eventually stopped. In 1908, Prince Youssef Kamal (1882-1969) founded the School of Fine Arts in Cairo, which was the ?rst institution dedicated to plastic art education, and the French sculptor Guillaume Laplagne (1870- 1927) was appointed director of the establishment. Kamel was among the ?rst students to register in, and started studying at the painting department, which was back then headed by the Italian painter, and teacher Paolo Forcella. Yet, coming from a modest family background, Kamel was obliged to work to support himself while studying, and taught drawing at a Preparatory Secondary School. Given this di?cult ?nancial situation, that faced some of his students, Paolo Forcella asked for a small monthly subsidy to help them. In 1911, the graduated students held their ?rst exhibition at the Automobile Club in Cairo, presenting their works including paintings, sculptures, and architectural designs. And in that same year, Forcella wrote about Youssef Kamel in his Rapporto sulla Scuola Egiziana di Belle Arti (Report on the Egyptian School of Fine Arts), saying: ‘Très intelligent et éduqué. Il fera un excellent professeur’[1]. The Italian teacher also wanted to boost the career of some of very talented students like Kamel. In 1925, he selected the three following students: Youssef Kamel, Ragheb Ayad (1892-1982), and Mohamed Hassan (1892- 1961), to bene?t from a scholarship delivered by the Ministry of Public Instruction, to complete their studies in Rome. There, Youssef Kamel trained under the Roman painter Umberto Coromaldi (1870-1948), and discovered the works of many Impressionist Italian artists including Domenico Morelli (1823-1901), and Giovanni Segantini (1858-1899). In 1929, Kamel returned to Egypt, where he was appointed teacher of painting at the École des Beaux-Arts in Cairo. And when the institution was directed by Mohamed Naghi (1888-1956), Youssef Kamel became director of the department of painting. In 1956, he directed the École des Beaux-Arts in Cairo. The study of Youssef Kamel's oeuvre is often related to some art movements, such as Orientalism, and Impressionism, which emerged in the 19th century in Europe. His interest first developed when he was studying at the Ecole des Beaux-Arts in Cairo, especially thanks to the curriculum, that he received. As a matter of fact, Paolo Forcella mainly painted orientalist works, illustrating Egyptian belly dancers, views over the arid desert, and mosques. And when Forcella taught at the École des Beaux-Arts in Cairo; he introduced Youssef Kamel to easel oil painting, as well as European artistic genres like portrait, nude, and landscape[3]. This teaching speci?cally corresponded to the aspirations of the institution to familiarize the students to the European art, and culture – which were considered to be superior, and to somehow make them adopt it. Besides, European art, and especially Impressionism, was truly appreciated by the Egyptian westernized elite, which considered this movement to be elegant, and aesthetic[4]. Nevertheless, because he was not off well financially, he couldn’t travel to Europe, and more precisely to Italy as much as he wanted. From 1923 to 1924, he made an agreement with his colleague Ragheb Ayad (1892-1982), which consisted in alternately taking the responsibilities of one’s courses, while the other one would travel to Italy. Yet, when he was in Italy on a scholarship, Kamel used to paint from works, that he saw in museums, and liked to paint some vedute, or ‘views’, illustrating a large-scale view over a city, or other places. It has been reported that Impressionism had a true impact on his oeuvre, as he adopted, and sharpened his own style through the knowledge, and the mastery of Impressionism technique, that he progressively acquired[5]. Youssef Kamel stated: ‘I was born with a tendency to Impressionism and this is how I will remain’[6]. Although he imposed this connection with Impressionism, the painter had always showed how he was attached to his Egyptian cultural identity, and land. In the beginning of his painter career, he rented an atelier in the district of Al-Qalaa, near by the Citadel of Saladin in Cairo. However, Kamel preferred to take inspiration from outdoors scenes, like the streets, houses, and market places. The popular environment of Egypt was an important source of inspiration, through which he reconnected to its people, and their lives. In the wok entitled Soleil d’Hiver (Winter Sun), and dated from 1938, Youssef Kamel depicted a daily life scene in the Egyptian countryside. In the background, the people are sitting against the wall of the houses, which appeared to be made of bricks, mud, and cha? – a typical Egyptian construction. The characters are wearing the traditional garments such as the white gallabiyah, and turbans covering their heads. In the foreground, the scene is more dynamic, with some people looking busy with the daily tasks. Here, the Impressionist touch of the painter is highly visible. First, he used a rectangular format, to materialize the large space of the outdoor scene, that he might had witnessed. Secondly, he applied quick, and short brushstrokes on the canvas, in order to give an impression of spontaneity, and motion. Hence, he simpli?ed the motifs, and the body features of the characters, giving the subject an un?nished aspect. Adhering to Impressionism, also included the seek for luminosity. From the district of Al-Qalaa, Kamel relocated to another one called El-Matareya in the north of Cairo. It was a wider and quiet area, where he could peacefully live, and admire the light, to elaborate his art. In the example of Soleil d’Hiver (Winter Sun), he captured the light of a winter sun, that he re?ected on the juxtaposition of pure, and complementary colors like yellow, and red-violet. Through a vivid contrast, the viewer can feel the warm atmosphere of the present scene. Contrary to some of his Egyptian contemporaries like Mahmoud Said (1897-1964), Youssef Kamel preferred to focus on the instant, which caught his attention, and provided him emotions. And like all the Impressionist artists, the painting should render a visual, and colorful sensation, instead of faithfully representing the physical reality. Part of the ?rst generation of Egyptian professional artists, called al-Ruwwad (‘the Pioneers’), Youssef Kamel however never conducted, and established any art theories. He would see painting as means of artistic expression, through which he could combine feelings, with the richness of Egyptian social environment. Youssef Kamel passed away in 1971.

ABOUT THIS ARTWORK: GREEN ROOM.
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)