A.P.Polo - Monochronos

LIMITED EDITION of 50

A P POLO

# 404959

A.P.POLO - MONOCHRONOS

Name: A.P.Polo - Monochronos by A P Polo Wall Art
Brand: Pictorem
SKU: 404959
Availability: InStock

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A.P.Polo - "Monochronos" - Hamburg (Germany) - New Media Art. Abstract, geometric, monochromatic, contemporary work coined by the neologism of the ti...[+]

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - MONOCHRONOS A P POLO Canvas Print

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Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

A.P.Polo - Monochronos Split Canvas print

36 x 36 triptych - split canvas
39 x 36 inches including space.
3X [ 12x36 ]
^$718

36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ] 2X [ 12x30 ]
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Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

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51 x 51 cm

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62 x 62 cm

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30 x 30 inches

77 x 77 cm

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36 x 36 inches

92 x 92 cm

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42 x 42 inches

108 x 108 cm

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123 x 123 cm

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3/16" Thickness:

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51 x 51 cm

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62 x 62 cm

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30 x 30 inches

77 x 77 cm

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36 x 36 inches

92 x 92 cm

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42 x 42 inches

108 x 108 cm

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48 x 48 inches

123 x 123 cm

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Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

20 x 20 inches

51 x 51 cm

1/8 with 4 metal stand off

^$434

24 x 24 inches

62 x 62 cm

1/8 with 4 metal stand off

^$566

30 x 30 inches

77 x 77 cm

1/8 with 4 metal stand off

^$809

36 x 36 inches

92 x 92 cm

1/8 with 4 metal stand off

^$1106

42 x 42 inches

108 x 108 cm

1/8 with 4 metal stand off

^$1825

48 x 48 inches

123 x 123 cm

1/8 with 6 metal stand off

^$2230

3/16" Thickness:

20 x 20 inches

51 x 51 cm

3/16 with 4 metal stand off

^$589

24 x 24 inches

62 x 62 cm

3/16 with 4 metal stand off

^$756

30 x 30 inches

77 x 77 cm

3/16 with 4 metal stand off

^$1064

36 x 36 inches

92 x 92 cm

3/16 with 4 metal stand off

^$1440

42 x 42 inches

108 x 108 cm

3/16 with 4 metal stand off

^$2253

48 x 48 inches

123 x 123 cm

3/16 with 4 metal stand off

^$2766

Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

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Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

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White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - Monochronos HD Metal print with Floating Frame on Back

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A.P.Polo - Monochronos HD Sublimation Metal print

A.P.Polo - Monochronos HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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Sublimation Hi-Gloss White Metal Print with Back frame

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Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

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Wood Print with Back Frame Mount

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Premium Acid Free Giclée Poster Paper

Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

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Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

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Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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A.P.Polo - Monochronos Picture Frame Printing

Frame model shown: 832-745

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Standard size framed print

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28 x 28"

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28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
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Wall Clock

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This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
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Available in 12" 16" 24" sizes

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File resolution: 6226 x 6226 pixels

ABOUT A P POLO fs
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ABOUT THIS ARTWORK: A.P.POLO - MONOCHRONOS
A.P.Polo - "Monochronos" - Hamburg (Germany) - New Media Art. Abstract, geometric, monochromatic, contemporary work coined by the neologism of the title from the two terms monochrome and chronos. Monochromatic painting has been an important component of avant-garde visual art throughout the 20th century and into the 21st century. Painters have created the exploration of one color, examining values changing across a surface, texture, and nuance, expressing a wide variety of emotions, intentions, and meanings in many different forms. From geometric precision to expressionism, the monochrome has proved to be a durable idiom in Contemporary art. Monochrome painting was initiated at the first Incoherent arts' exhibition in 1882 in Paris, with a black painting by poet Paul Bilhaud entitled Combat de Nègres dans un tunnel (Negroes fight in a tunnel). (Although Bilhaud was not the first to create an all-black artwork: for example, Robert Fludd published an image of Darkness in his 1617 book on the origin and structure of the cosmos; and Bertall published his black Vue de La Hogue (effet de nuit) in 1843.) In the subsequent exhibitions of the Incoherent arts (also in the 1880s) the writer Alphonse Allais proposed other monochrome paintings, such as "Première communion de jeunes filles chlorotiques par un temps de neige" ("First communion of anaemic young girls in the snow", white), or "Récolte de la tomate par des cardinaux apoplectiques au bord de la Mer Rouge" ("Tomato harvesting by apoplectic cardinals on the shore of the Red Sea", red). Allais published his Album primo-avrilesque in 1897, a monograph with seven monochrome artworks. However, this kind of activity bears more similarity to 20th century Dada, or Neo-Dada, and particularly the works of the Fluxus group of the 1960s, than to 20th century monochrome painting since Malevich. In a broad and general sense, one finds European roots of minimalism in the geometric abstractions of painters associated with the Bauhaus, in the works of Kazimir Malevich, Piet Mondrian and other artists associated with the De Stijl movement, and the Russian Constructivist movement, and in the work of the Romanian sculptor Constantin Brâncu?i. Minimal art is also inspired in part by the paintings of Barnett Newman, Ad Reinhardt, Josef Albers, and the works of artists as diverse as Pablo Picasso, Marcel Duchamp, Giorgio Morandi, and others. Minimalism was also a reaction against the painterly subjectivity of Abstract Expressionism that had been dominant in the New York School during the 1940s and 1950s. The wide range of possibilities (including impossibility) of interpretation of monochrome paintings is arguably why the monochrome is so engaging to so many artists, critics, and writers. Although the monochrome has never become dominant and few artists have committed themselves exclusively to it, it has never gone away. It reappears as though a spectre haunting high modernism, or as a symbol of it, appearing during times of aesthetic and sociopolitical upheavals. Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field, a very important work in its own right to 20th century geometric abstraction. In 1921, Constructivist artist Alexander Rodchenko exhibited three paintings together, each a monochrome of one of the three primary colours. He intended this work to represent The Death of Painting. While Rodchenko intended his monochrome to be a dismantling of the typical assumptions of painting, Malevich saw his work as a concentration on them, a kind of meditation on art's essence (“pure feeling”). These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or “painting as object”) which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting; or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution—a new beginning—in Western painting's history. Additionally, many have pointed out that it may be difficult to deduce the artist's intentions from the painting itself, without referring to the artist's comment. Chronos is the personification of time in Greek mythology. He is partly identified with the Titan Kronos. He symbolises the passage of time and also the duration of life. Chronos comes from the myths of the Orphics, an ancient religious movement in Greece, southern Italy and the Black Sea coast (from around the 6th/5th century BC). According to these myths, he himself emerged from the dark chaos and, as the creator god, produced the silver world egg from the aether. This in turn gave rise to Phanes, the god of light, who was particularly revered by the Orphics and identified with Helios, but also with Eros and Dionysus. Chronos plays an important role in the speculative poetry of the Orphics, but a cult of Chronos never existed in antiquity. There was also no fixed iconography and no representations of Chronos in archaic and classical Greek art. The oldest known representation is on a relief from Hellenistic times. There Chronos appears as a beardless figure with large wings. Chronos was the personification of an abstract concept and not a component of Greek popular religion. The same applies to Phanes, who also had no popular cult.

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)