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Aurelia Schanzenbacher

AURELIA SCHANZENBACHER

Medieval Window
Medieval Window par Aurelia Schanzenbacher
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Toutes nos toiles étirées sont faites sur-mesure, à partir d’une toile d’exposition de 410g/m2 Bois large de 1.5 pouce de style “galerie”.     
Impression Giclée avec encre pigmentée conçue pour répondre aux exigences de longévité de musées et galeries et assurer l’uniformité des nuances de couleur pour plus de 200 ans.
Medieval Window

Medieval Window

par Aurelia Schanzenbacher



AFFICHER PAR LONGUEUR MAX:
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Murale
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Livraison gratuite au Canada et aux États-Unis (continental)
 Impression sur toile tendue, cadre en bois de 1,5 pouce d'épaisseur
Imprimé jusqu'aux bords sur une toile Fine Art mate de 410 g/m² - Prêt à accrocher, avec fil de suspension inclus
Fine Art Print Certificate of authenticity Certificat d’authenticité fourni avec toute impression de cette œuvre
8 x 12 pouces
21 x 31 cm
Aperçu de l’image
C$93
11 x 16 pouces
28 x 41 cm
Aperçu de l’image
C$108
14 x 20 pouces
36 x 51 cm
Aperçu de l’image
C$129
16 x 24 pouces
41 x 62 cm
Aperçu de l’image
C$126
20 x 30 pouces
51 x 77 cm
Aperçu de l’image
C$191
24 x 36 pouces
62 x 92 cm
Aperçu de l’image
C$220
29 x 42 pouces
74 x 108 cm
Aperçu de l’image
C$312
33 x 48 pouces
85 x 123 cm
Aperçu de l’image
C$384
37 x 55 pouces
95 x 141 cm
Aperçu de l’image
C$665
41 x 60 pouces
105 x 154 cm
Aperçu de l’image
C$748
49 x 72 pouces
126 x 185 cm
Aperçu de l’image
C$1151
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Completed in watercolor then put through digital software to enhance the colors. Windows, are openings in the wall of a building for the admission of...[+]

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Aurelia Schanzenbacher
PLEASE NOTE: Watermarks are digital identification and will be removed when prints or items are ordered. Aurelia Ann Schanzenbacher is predominantly a self-taught artist and photographer. She describes herself as a nature/landscape photographer and a mixed media artist. Although, that defines only a portion of her body of work, since Aurelia loves immersing herself into the historical culture of the areas she photographs and paints. Aurelia enjoys traveling and most of her images come from those destinations. When looking at a subject, she looks for light, texture, shapes, and patterns that catch her eye. Anything goes in her creative post-processing. She uses textures and painterly effects if they enhance the art, photographic image and vision for the piece she is creating. In 2017, her interest expanded from photography to creating two dimensional art. Art has given Aurelia the ability to experiment in different mediums: oil paints, oil pastels, acrylics, watercolors, ink, color pencils and photographic digital artistry. While traveling, Aurelia makes a concerted effort to do quick daily drawings using mostly ink, watercolor or oil pastel. After creating art, some of her digital post-processing includes taking the drawings and enhancing colors, adding textures or transforming something less appealing into digital masterpieces. To enhance her artistry skills, Aurelia attends workshops and art classes online and offline. She continues to explore new ideas and techniques in pursuit of creating beautiful and interesting art. Aurelia has had art displayed at local galleries and online galleries . She is a member of the Maryland State Art Council, Allegany County Arts Council and Western Maryland Watercolor Society.
SUR CETTE OEUVRE: MEDIEVAL WINDOW
Completed in watercolor then put through digital software to enhance the colors. Windows, are openings in the wall of a building for the admission of light and air; windows are often arranged also for the purposes of architectural decoration. During early times, the window were filled with stone, wooden, or iron grilles or lights (panes) of glass or other translucent material such as mica. In the Far East, windows were made of paper. Today, windows are almost always filled with glass, though a few use transparent plastic. In Roman imperial times glazed window appeared, and fragments of glass in a bronze frame have been found in Pompeii. It is probable that the great windows in the baths of Rome must have been enclosed in some way, in order to retain the heat. The general hypothesis is that these great clerestory openings were filled, originally, with frames of bronze which subdivided the whole into small areas, each of which held a pane of glass. Most likely, glazed windows were very exceptional in Roman times; marble, mica, and shell were most often used to fill window openings.

Cette oeuvre peut être expédiée partout dans le monde lorsqu’elle est commandée en rouleau ( affiche ou toile )
Tout autre format, y compris la toile tendue, l'acrylique, etc., n'est expédié qu'aux États-Unis continentaux et au Canada (frais de port gratuits)

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