All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old.[+]
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
Printed to the edge & Ready to hang a floating frame and hanging wire
Sublimation Metal Print with Decorating Frame
Inside a decorating frame (Box) - Black Floating Frame
Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy!
To get your mural price, enter your wall measurement:
Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durabilityExtreme image resolution : photographic image quality with the largest color gamut in its class
Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!
Get this artwork "Porth Gwarra" in a custom frame. Fully customizable - at the exact size you want.
You can select paper type, glass, matte and decorating frame Start building your custom frame by selecting one the following moulding:
John Brett ARA (8 December 1831 – 7 January 1902) was an artist associated with the Pre-Raphaelite movement, mainly notable for his highly detailed landscapes.
Brett was born near Reigate on 8 December 1831, the son of an army vet. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, whom he met through his friend the poet Coventry Patmore. Inspired by Hunts ideal of scientific landscape painting, Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold.
In 1858 Brett exhibited The Stonebreaker, the painting that made his reputation. This depicted a youth smashing stones to create a road-surface, sitting in a brightly lit and brilliantly detailed landscape. (The treatment provided a strong contrast with Henry Walliss painting of the same name, exhibited the same year.) The precision of the geological and botanical detail in Bretts version greatly impressed Ruskin, who praised the painting highly, predicting that Brett would be able to paint a masterpiece if he were to visit the Val dAosta in Italy. Partly funded by Ruskin, Brett made the trip to paint the location, exhibiting it in 1859, again to high praise from Ruskin, who bought the painting. Other critics were less effusive, one describing it as a "gravestone for post-Ruskinism".
ABOUT THIS ARTWORK: PORTH GWARRA
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in North America (Free shipping)