All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old.[+]
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
Printed to the edge & Ready to hang a floating frame and hanging wire
Sublimation Metal Print with Decorating Frame
Inside a decorating frame (Box) - Black Floating Frame
Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy!
To get your mural price, enter your wall measurement:
Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durabilityExtreme image resolution : photographic image quality with the largest color gamut in its class
Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!
Get this artwork "The Sphinx at Giza" in a custom frame. Fully customizable - at the exact size you want.
You can select paper type, glass, matte and decorating frame Start building your custom frame by selecting one the following moulding:
David Roberts RA (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.
At the age of 10, he was apprenticed for seven years to a house painter and decorator named Gavin Beugo, his fellow apprentice being David Ramsay Hay, who became a lifelong friend.During this time he studied art in the evenings. After his apprenticeship was complete, Robertss first paid job came in the summer 1815, when he moved to Perth to serve as foreman for the redecoration of Scone Palace. Roberts returned in the spring of 1816 and lived with his parents while looking for work.
His next job was to paint scenery for James Bannisters circus on North College Street. This was the beginning of his career as a painter and designer of stage scenery. Bannister liked Robertss set designs and on 10 April 1816 engaged him at a salary of 25 shillings per week to travel with the circus on a tour or England. Roberts departed Edinburgh with the circus later the same month and travelled to Carlisle, Newcastle, Hull and York, returning to Edinburgh in January 1817. During his time with the circus, Roberts was called on to take several minor stage roles as a foil for the clowns skits.
ABOUT THIS ARTWORK: THE SPHINX AT GIZA
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in North America (Free shipping)