Studio 24, also known in some European countries as @24 Studios, is a minority-owned company managed by a proud Asian-American and founded in 1998. Our lead creative, photographer and artist, William Robert Stanek, a combat veteran who supports other veterans and the disabled, is also a vocal champion of books and libraries. Not only a renowned artist, he wrote nonfiction for over three decades as William Stanek and fiction as Robert Stanek.
Patronage has a long history in the arts. Help us keep the dream alive by donating to the arts programs managed by our parent company 360 Studios...
~ Donate to our Arts Awareness Program.
~ Donate to our Artist Stipends & Funding Program.
~ Donate to our Artists Expenses & Families Program.
Support the arts! Save our galleries! COVID devastated the arts and forced us to permanently shut down our physical galleries and move online, beginning in Spring 2021. During our many years in operation, our family of galleries, which includes 1North Studios, 360 Studios, and the creative studios of Robert Stanek, represented nearly 100 professional artists and photographers.
***~ Special Holiday Pricing! ~*** We have exceptionally high standards to help ensure your satisfaction. Our selections are 100% original and exclusive artworks you won't find anywhere else. Our selections are specially curated from around the world. From Nice to Marseilles, Genoa to Florence, Cambridge to Edinburgh, Portland to Seattle, Phoenix to Nantucket.
Our founder William Robert Stanek and his wife have been called “living legends” and “national treasures” for their decades of creative works in the arts and publishing. William is the creator of the award-winning Snapshot in Time series, the award-winning Perspective series, the award-winning Secret series, and the award-winning Elevate series. He is celebrated for his unique perspectives, natural colors and stunning use of natural light.
We need your support now more than ever. Help us keep the dream alive! Due to the worldwide pandemic, many of our photographers and their families have gone 2 years without income. 80% of the profits go to the artists themselves to support their work and their families.
Be sure to visit all of our studios online. Thousands of iconic photographs… hundreds of canvas paintings… 360 Studios, Studio 24, and 1North Studios. Plus, don't miss the award-winning watercolor paintings of Robert Stanek Studios.
To contact us directly, send email. More about our founder at http://www.williamrstanek.com/.
Talking Art Prints with Hui Cha Stanek "Our artworks on canvas are stretched around wood frames using a traditional method," Hui Cha says. "The kind of art you see in art galleries and museums."
What process do you use for printing art on canvas? "Our art is printed on canvas using a fine art printing process called Giclee, pronounced zhee-KLAY," Hui Cha says, "Our prints use museum-quality pigment-based inks to capture every shade of the original work."
Is Giclee printing high quality? "Giclee prints are in fact the gold standard for high quality," Hui Cha says. "Not only that, the giclee printing process assures longevity of any work of art. The colors in Giclee printed artwork can last decades without any visible fading, ensuring art can be passed down through generations."
Is Giclee printing expensive? "Giclee is more expensive than traditional print," Hui Cha says, "Yet worth every penny to achieve a quality result that often cannot be distinguished from the original artwork."
Do Giclee prints have a surface texture? "Only if printed on a textured surface or using the artistic knife varnish style, which is one of several coating finish styles our art can be printed with. The other finishing styles are matte, semi-gloss, silver canvas, and high-gloss clear coat. At checkout, use the preview options to see which finishing style you prefer."
Do Giclee prints increase in value? "It’s very common for Giclee prints, especially, limited editions to go up in value. Prints also go up in value as the artist becomes more well-known."
NOTE:A watermark may be displayed online to protect the intellectual property of our professional artists and photographers who rely on income from their work to live and support their families. The finished product will not have a watermark. If you’d like to license any of our art or photography, please contact us.
Our founder, William Robert Stanek, and his wife have dedicated decades of their lives to the arts and publishing. Dubbed 'A Face Behind the Future' in 1996 by his hometown newspaper, The Olympian, Mr. Stanek’s work has been featured in and/or recommended by The Wall Street Journal, Publisher's Weekly, Parenting Magazine, and many other fine publications and periodicals.
“William and his wife are a dynamic duo, not only in publishing, but in the arts as well, together responsible for some of the most iconic works in landscape, architecture and travel photography over the past three decades.”
“Widely respected in the arts and literary communities, William and his wife are forces to be reckoned with. They’ve changed the way we look at the world.”
"William has a presence and a charisma that's inescapable. He's a gentle giant, a warrior poet, and a beautiful person. Someone you feel privileged just to know."
“Not only an award-winning writer, but an award-winning photographer and artist William is a preeminent force in the arts and literary communities.”
“A living legend recognized worldwide for his distinctive works that span more than three decades.”
”William, celebrated for his unique perspectives, natural colors and stunning use of natural light, is a national treasure.”
Did you know? William Robert Stanek's forefather was the Pulitzer-Prize winning author Wallace Stegner. Among those William counted as friends are an eclectic collection of the world's top creatives, from Walter Dean Myers to Brian Jacques to his forefather Wallace Stegner to the dozens of authors and artists he's helped get started in the business. Creatives like Emily Asimov and Cathy Thompson, who say, "William has a presence and a charisma that's inescapable. He's a gentle giant, a warrior poet, and a beautiful person. Someone you feel privileged just to know."
William says he never wanted his uncle's academic career, awards or social calendar. Though he has taught in colleges, hobnobbed with royalty, met and dined with presidents and generals, been paid thousands to speak to captains of industry, William always preferred the simple life, regular folk and the quiet comfort that comes from routine.
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Talking Photoshoots with William Robert Stanek
For aspiring creatives and those who collect your work, can you talk about your creative process? "Every artwork begins with a plan. Planning is a huge part of my success," William says. "My wife and I work out the locations we'll visit and then plan how the photoshoot at each will progress."
Photo shoot. For you, what is a photoshoot? "It's where we capture the essence of the location in a series of images," William says. "Each photoshoot is different, unique and our planning is fluid enough so we can make changes on site."
Your work is celebrated for your use of light and shadow. How do you achieve such spectacular results? "Experience is key," William says, "having an intimate understanding of the many ways the lenses and cameras I use capture the scene, understanding the way light changes throughout the day, the way light changes in different seasons, the way light changes in different parts of the world... More..."
Talent is what you really mean, but you're being modest? "Talent, raw and refined, is essential to success," William says. "A great artist seeks to capture the essence of a location in ways others haven't or at the least in ways that are different and unique to them."
Think differently? But you also have favorite locations that I see in your work? "Exactly, think differently," William says. "As for favorites, how could I not? There's too much beauty in the world, not to. I enjoy seeing how my favorites change through the seasons and over time, so I return and capture their essence as it exists in that new moment."
The global pandemic devastated our company and forced us to permanently close our physically galleries around the world. We’re trying to keep the dream alive by moving online and in this way strive to support the nearly 100 photographers we’ve worked with in the past. It will take innumerable sales and many years to claw our way back to even, but we’re confident with your help we can succeed.
Many of our photographers and their families have gone more than 2 years without steady income. If you help us keep the dream alive, we can continue to deliver great art to the world at fantastic prices! Not only that, we can continue to reward our partner photographers. 80% of our profits from all sales go to the artists themselves to support their work and their families.
But without your support the dream will die. We won’t be able to keep alive the work of our photographers.
Not familiar with art? Although stretched canvas prints are the #1 most popular choice, we prefer the brilliant colors and unmatched beauty of HD Metal prints. Why? HD Metal prints include a back frame and are ready to hang without needing any extras. With HD Metal prints, you also don’t need to decide on which finishing coating to use. You get a high-gloss finish automatically at no extra cost.
Sizing art can be difficult. For a master bedroom where art will be hung on either side of the bed, 30 x 20 inches (77 x 51 cm) or a few inches either way is usually just about perfect. This also is a good size wherever a single artwork will be used to accent, such as over the bed in a guest bedroom, in a hallway, dining room or kitchen. With framed art, don’t forget the frame adds to the size, so you might want to start with a smaller size artwork. For example, the 1.5" gallery wrap frame adds a total of 3" all around to the size of the artwork. Thus, if you wanted a finished size of about 30 x 20 inches (77 x 51 cm), you’d want to start with art that was about 27 x 17 inches or a few inches either way.
For feature art in your home or office, another size that’s usually just about perfect is around 42 x 28 inches (108 x 72 cm) or a few inches either way. If you want artwork to dominate most any room you may find that 60 x 48 inches (154 x 123 cm) or a few inches either way fills the need. For large bathrooms, 24 x 16 inches (62 x 41 cm) is often ideal for centerpiece art, yet if you want to hang two artworks, you’ll usually want something smaller, say 16x12 inches for a master bathroom or 12x10 inches for a half bathroom. Again, don’t forget these are finished sizes, including any wrapping frame.
Thank you! Free shipping and easy returns in the USA and Canada. Elsewhere, you’ll find rolled prints are really easy and low-cost to ship just about anywhere. When you receive the rolled print, you can pick out a frame locally and then hang the artwork in your home.
Talking Art Collecting with William Robert Stanek "I don’t know how anyone lives without art on their walls to fill their days with beauty and joy," Mr. Stanek said recently when asked about art collecting. "Start with one print of something you truly love and work your way from there."
"In 1986, at the age of 19, passing through Hawaii on my way to my first duty station overseas, I stopped in a gallery owned by a little known artist who introduced himself to me as Robert Wyland. I was fascinated by his original oil on canvas paintings and particularly smitten with one featuring whales. This was a very large original oil on canvas, about 6’ in length as I remember it, with a list price was somewhere above $4000, and I managed to talk Robert down to $3500. Being homeless at 17 taught me a lot about saving and value, I’d saved every penny of my military pay that I could during boot camp and twelve months of training school and I knew value when I saw it. I wanted the painting more than the car I was saving up for."
"There was another smaller piece featuring dolphins that we negotiated as well. I left the gallery with Wyland’s card and price quotes written on the back, determined to scrape together the money. The day before I left the islands, I went back to the gallery, but hadn’t put together the money, so I browsed limited prints and settled on a few I loved. An associate of Wyland’s put three prints aside for me, and I rushed out to get the cash from the bank, about $650, but I never made it back. My military flight got moved up and I had to rush to the base to head off to my duty station in Japan."
"Today, just thinking about it, I’m crushed. Not because each of those prints is worth more than the average home or because the original oils are worth many millions, but because of all the days and years of joy I missed... Buy art because you love it, enjoy it each day, and you’ll have no regrets. Prints, especially limited prints, can appreciate in value just like original work on canvas, so prints can be an investment too, but the joy of ownership is the best part, even if your art collection is only one piece."
Talking Landscape Photography and Waterfalls with Hui Cha Stanek William’s landscapes, especially his waterfalls, are truly stunning. Few others even come close to his level. What’s your work together like? "We’ve worked together so many years," Hui Cha says. "We have a rhythm. It works, but we don’t just show up and start taking pictures. There’s a lot that happens behind the scenes."
"You’re talking about planning before you go out to a location? How does that work?" "We pick locations and study the area," Hui Cha says. "Everything is timed so that our arrival is optimal. The right time of day, the right time of year, the right positioning, the right equipment. All of this means that once we go, William can just do his thing."
"You’re being modest. You’re always there with William and behind the scenes in the planning. Aren’t you?" "Yes, I am with him," Hui Cha says smiling, "By the time we’re on location though, I tend to stay out of his way and let him do what he needs to do. I’m there to assist when he needs me."
Sometimes things happen on location. You can’t control the weather. Things like that. "True," Hui Cha says, "we do our best to optimize travel based on forecasts, but you can’t predict the future. You can’t control traffic, closures and such either."
William’s the guy others try to emulate in their work, especially in landscape photography, even if they don’t realize it. How do you feel about that? "William and I have been doing this for thirty years. Our work is everywhere. It’d be disappointing if we weren’t seen as setting the standard others are trying to achieve."
William’s use of natural light always amazes. More amazing, year after year, he does things differently than others, even himself. You’re with him behind the scenes. How does he capture, say a waterfall, in a way no one else has? "By thinking differently," Hui Cha says, "by not just showing up, by studying and watching.”
To help everyone understand this, can you give an example? “Sure," Hui Cha says. "In Adelboden, William studied the falls from a distance for days before going out to the site, not to mention all the driving we did around the area to get to know the lighting."
And the results are breathtaking... "I think they are," Hui Cha says smiling. "You never know what the day will truly bring until you’re there, but sometimes it all comes together just right."
Thank you for visiting! During our many years in operation, our family of galleries, which includes 1North Studios, 360 Studios, and the creative studios of Robert Stanek, represented nearly 100 professional artists and photographers.