All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old.
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided ) We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy!
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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class
Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!
Get this artwork "Veduta del Naviglio di San Marco dalla terrazza di Ca Medici, Milano, 1837" in a framed print. Fully customizable - at the exact size you want.
You can select paper type, glass, matte and decorating frame Start building your custom framed print by selecting one the following moulding:
Precisely produced by HD Sublimation Process & Protected by a high-gloss varnish.
Unlike traditional printing — This artwork is produced with by sublimation print. We utilize heat and pressure to transfer images directly into the surface of the Puzzle, bonding your image to the substrate at the molecular level.
Angelo Inganni (November 24, 1807 – December 2, 1880) was an Italian painter.
He was born in Brescia. Angelo Inganni was taught the basics of art by his father Giovanni and his elder brother Francesco, with whom he worked on fresco decorations from when he was young. Distinguished during his military service as a draughtsman and portraitist, he was noticed by Marshal Radetzky who had him admitted to the Brera Academy of Fine Arts in 1833.
The work he presented regularly at the Brera exhibitions from 1834 to 1859 constitutes a vast series of urban views of Milan capturing all the details of its architecture and including likenesses of real people. This new approach to perspective painting proved a great success with the public and critics alike, as shown by a number of prestigious commissions, including from the Austrian emperor in 1839.
Inganni exhibited views of various Italian cities in national and international exhibitions. It was in the 1850s, above all after his return to Brescia, that he began to produce genre works of Flemish inspiration with new subjects drawn from rural life and telling effects of light. He frescoed the churches of San Marco and San Carlo in Milan as well as the parish church of Gussago.
In 1856, three years after the death of his first wife, he married his long-time pupil and model, Amanzia Guérillot, who was twenty-one years his junior. They settled down near Gussago and often collaborated on canvases as well as small-scale decorative work. He died there in 1880.
ABOUT THIS ARTWORK:
VEDUTA DEL NAVIGLIO DI SAN MARCO DALLA TERRAZZA DI CA MEDICI, MILANO, 1837
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in North America (Free shipping)