All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old.
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided ) We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy!
To get your mural price, enter your wall measurement:
Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class
Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!
Get this artwork "Ruins of the Forum, Rome" in a framed print. Fully customizable - at the exact size you want.
You can select paper type, glass, matte and decorating frame Start building your custom framed print by selecting one the following moulding:
Bernardo Bellotto, also called Canaletto Belotto or Canaletto the Younger, (born January 30, 1720, Venice—died October 17, 1780, Warsaw, Poland), vedute (“view”) painter of the Venetian school known for his carefully drawn topographical paintings of central Italian and eastern European cities.
Bellotto studied under his uncle, Canaletto, and was himself known by that name when painting outside Italy. Bellotto’s urban scenes have the same carefully drawn realism as his uncle’s Venetian views but are marked by heavy shadows and are darker and colder in tone and colour. The fidelity of his views is in part attributable to the use of the camera obscura.
ABOUT THIS ARTWORK:
RUINS OF THE FORUM, ROME
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in North America (Free shipping)